Penguin has revealed that, on 13 October, it will publish a memoir by Elvis Costello (through its Blue Rider Press imprint) with the very Costellonian title of Unfaithful Music & Disappearing Ink. So far those details are only up on the publisher’s American site, meaning there is still time to shift it to Penguin Classics for its UK release.
He was chief hack and music editor of webzine Brazen from 2006 to 2010, and hosted Left of the Dial on Subcity Radio from 2008 to 2011.
He can be heard semi-regularly on the podcast of Scottish cultural blog Scots Whay Hae ('20th best website in Scotland!' - The List), and in 2011 founded Seen Your Video, a film and music podcast and blog based in Glasgow. He has a Masters degree in Scottish Literature from the University of Glasgow that will never have any practical application. You are on a hiding to nothing if you follow him on Twitter expecting any kind of hot publishing scoop.
This year’s Folio Prize has been awarded to Akhil Sharma for his novel Family Life. It’s a case of seconds for both prize and author – the second year that the Folio has run (following George Saunders’ inaugural victory in 2014 for his short story collection Tenth of December) and only Sharma’s second novel, one on which he worked for 13 years prior to publication.
When Terry Pratchett died last week at the age of 66, he left behind a body of work that includes 40 novels set in his beloved Discworld, alongside a couple dozen further titles. It is a substantial bibliography by any standard, and one that his fans will no doubt take great comfort and pleasure in revisiting over the coming months. Those fans, however, can take further solace in the knowledge that the day when they have no more Pratchett left to read hasn’t arrived just yet: the author completed two final novels that are both likely to see publication this year.
It’s already been a big year for feminist musical icons in publishing, what with Kim Gordon’s recently released memoir Girl in a Band, Chrissie Hynde’s recently announced, as-yet-untitled memoir, and PJ Harvey’s forthcoming book of poetry. Now there’s one more to add to the list, with the news that Sleater-Kinney guitarist and vocalist Carrie Brownstein will also release a memoir – entitled Hunger Makes Me A Modern Girl – on 27 October through Penguin.
Starting tomorrow and running into Saturday (13 and 14 March), Waterstones and HarperCollins are partnering for the Killer Crime Festival, billed as the first virtual crime festival, taking place both online and irl, i.e. in Waterstones branches across the county. The festival sees authors, scriptwriters, criminal psychologists, ex-cops and ex-prisoners in conversation in sessions on Facebook, Twitter, Google Plus and, in a startling innovation that’ll surely amount to nothing, face to face with their audiences.
The shortlist has been announced for this year’s Wellcome Book Prize, honouring work – across all genres, including both fiction and non-fiction – that focuses on medicine, health or illness. The prize – presented by London medical museum the Wellcome Collection – was open to any work published in English (including in translation) by a UK publisher throughout 2014, with publishers able to submit for consideration three titles apiece.
Penguin Random House has announced that it will publish a memoir by musician Chrissie Hynde on 8 September.
Today in oh holy hell I shall soon be dead: 2015 marks 15 years – 15 years – since Bill Bryson last published a book of travel writing, that particular book being 2000’s jaunt around Australia, Down Under. In the time since, he has published two volumes of Bryson’s Dictionary (one of Troublesome Words, the other for Writers and Editors), two Short Histories of Nearly Everything, a memoir, a biography of Shakespeare, and three books of history about, variously, icons of England, domestic life and America in the summer of 1927, with his only travel writing a short diary of a trip to Kenya published in aid of CARE International.
This year’s longlist for the Walter Scott Prize for Historical Fiction has been revealed, the first time in the prize’s history that the longlist has been made public (though, admittedly, that history only stretches back five years, with the first prize awarded in 2010). The field of nominated titles has also been increased, from the usual twelve to fifteen.
You there! What week is it? No, silly little Dickensian orphan, Christmas was two months ago, this is BookMachine week. Between Monday 23 and Friday 27 February, BookMachine is running a series of events across the world, with publishing folk gathering in Brighton, London, New York, Barcelona and Oxford to hear from a variety of industry speakers. Topics under discussion include the fate of illustrated books in the age of digital, the problems posed by shrinking retail space, the impact of self-publishing and the effect that social media is having on publishing.
In the latter instance, the medium is the message – on Friday afternoon, City University is sponsoring a BookMachine Twitter chat, ideal for those who can’t make it along to any of the real-world events or suddenly think of the perfect witty retort just as they’re leaving and want to seek retribution. The focus, as at the events, will largely be what digital means for images in publishing. The hashtag to use to take part is #BookMachine, which is where you’ll find the questions under discussion too. It kicks off at 3pm GMT/4pm CET/10am EST. The week’s discussions will then be rounded up here on the site for anyone who can’t even muster the energy to look at Twitter come Friday afternoon.