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Amazon launches ‘reader powered publishing’ with Kindle Scout

Amazon has launched what it describes as ‘reader powered publishing’ in the form of Kindle Scout, a crowdsourcing initiative to find unpublished authors and, uh, publish them. The hypermegaomnicompany outlines the venture as ‘a place where readers help decide if a book gets published. Selected books will be published by Kindle Press and receive 5-year renewable terms, a $1,500 advance, 50% eBook royalty rate, easy rights reversions and featured Amazon marketing.

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Action Comics #1 available to read, for free, online

A copy of Action Comics #1 – arguably the single most sought after issue in the history of the medium – recently sold at (eBay) auction for $3,207,852, the most money ever paid for a single comic book by a margin of about a million dollars. Its nearest competitor? Another, less pristine copy of Action Comics #1, sold in 2011 for $2,161,000. Only 50 or so unrestored first run copies remain extant, and at those rates, anyone who wants to read the first appearances of Sticky-Mitt Stimson, Scoop Scanlon the Five Star Reporter (perfect name for a reporter between the wars, A+) and some dude named Superman in their original form needs to have some serious capital behind them.

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beth

5 questions for freelance editor and consultant Beth Cox [INTERVIEW]

BookMachine Oxford host Charly Salvesen-Ford talks to Beth Cox, freelance editor and consultant specialising in children’s books, and the star of our event on 6th November.

Grab your tickets for BookMachine Oxford here.

 

1) What is the best part of your job?

The variety. I love the fact that every day is different – one day I can be copy-editing a manuscript, the next delivering training, the next working on a book layout, the next planning an event, the next plotting how to change the face of children’s books with Inclusive Minds co-founder, Alexandra Strick! And that’s a minor snapshot of the range of things my job involves.

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Carl

Three things I learned that made working in publishing bearable

This is a guest post from Carl Pappenheim, owner of Spineless Classics (sponsor of BookMachine Oxford on November 6).

Publishing is comfortably the most glamorous and educational industry going (well, after tech support of course) but working with text can be a trial.  Whether it’s a poorly formatted lengthy terms-of-business from a bureaucratic behemoth who want to give you a license, or just a poorly transcribed manuscript that was typed up by somebody’s myopic aunty on a Wordstar electric typewriter, at some point you’re going to be tearing at your elegantly coiffed hair with frustration at all the time you’re wasting filling in missing full-stops instead of getting into an event early enough to complain about the free wine.  I personally find such misuses of my time very trying, so in a generous attempt to lessen the misery for others I present to you three things that have greatly reduced my stress over the past few years.

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Tahira Rahemtulla

That’s Write! [COMPETITION]

This is a guest post from Tahira Rahemtulla, a senior editor at Unambiguous Edit. Tahira graduated from City University London in 2012, with a Masters in International Publishing. She is now hosting a writing contest, That’s Write!, as a lead of Unambiguous Edit, in collaboration with TLAC Printing and Publishing, BookMachine, and Wildfire Studio.

Writers: you have 102 days!

What’s at the end of 102 days?

The close of the first That’s Write! contest submission!

What is That’s Write!?

That’s Write! is a fiction writing contest organized by four different collaborating groups from the publishing industry.

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Waterstones Piccadilly holding lock-in inspired ‘sleepover’

Credit where it’s due to Waterstones’ PR staff: following a potentially embarrassing incident last week, in which an American tourist had to tweet and post on Instagram for help (#nofilter) after being locked inside the chain’s Trafalgar Square branch for two hours when staff closed up without realising he was still there, they’ve spun what could be a clammy nightmare into a dream come true for a certain kind of book lover. Realising that being locked inside a bookshop for several hours isn’t necessarily so unappealing a prospect, the shop is this Friday hosting a ‘sleepover’ for ten guests and their plus ones.

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Twin Peaks novel to bridge 25 year gap between seasons

If you haven’t already started affecting a veneer of cool disdain as a reaction to everyone else losing their minds, you may be mildly excited by the recent news that David Lynch and Mark Frost’s seminal TV show Twin Peaks will be returning to TV screens in 2016 for a third season, 25 years after the end of its second.

Though, predictably, Lynch has been the focal point of most coverage of the show’s return (given his far higher profile during its hiatus than that of his co-creator), Frost also played a key role in developing Twin Peaks‘ unique tone and – as if to reinforce that this isn’t just The David Lynch Show – has revealed that he is writing a novel detailing the lives of the town’s residents over the 25 years between episodes.

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Tom Chalmers

Technology still needs an audience

In a technological age we all have to think that little bit more about what we say, how we say it and where we say it. After all, what’s said on Google, stays on Google. Well mostly. That’s not to say technology is a hindrance, far from it. It has helped create a platform for voices to be heard and opened up more routes to market than ever before, across many sectors, especially within publishing.

The international publishing arena is a particularly broad, interesting yet intricate marketplace which has evolved greatly in recent times. There have long been many historic complexities to overcome and whilst some linger, technological advances have led to far more doors being opened than closed for publishers.

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Chris

3 lessons writers can learn from the music industry

This is a guest blog from Christopher Russell, author of Mockstars, a music novel inspired by his international tour diaries for rock/pop band The Lightyears.

As someone who has spent over a decade in the trenches of the music industry, when I migrated into the book world last year I was delighted to find that everyone in publishing is spectacularly nice to one another. By contrast, rock ’n’ roll is rather less cuddly – and in fact it’s largely for this reason that I think it has prepared me well for life as an aspiring writer.

With this in mind, here are a few of the transferable lessons:

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Laura Austin BookMachine

Inspiration for publishers in 4 cities

November 6. London, New York, Oxford and Brighton – Meet and collaborate with the most inspiring people in the publishing industry today.

A few people have asked, what’s with 4 events? Why on the same day?

We used to stagger events throughout the year, but have now realised that there’s a certain magic around the buzz of hosting them on the same day. From hosts being able to share tips to speakers in different cities realizing that they are part of the same event – it’s definitely a better way to do it.

This time we have some truly inspirational speakers involved, and are basing the event series around just that. Inspiration.

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