It’s already been a big year for feminist musical icons in publishing, what with Kim Gordon’s recently released memoir Girl in a Band, Chrissie Hynde’s recently announced, as-yet-untitled memoir, and PJ Harvey’s forthcoming book of poetry. Now there’s one more to add to the list, with the news that Sleater-Kinney guitarist and vocalist Carrie Brownstein will also release a memoir – entitled Hunger Makes Me A Modern Girl – on 27 October through Penguin.
Getting a first job in publishing is extremely competitive, which means that employers are often able to offer internships as completely unpaid positions. Taking an unpaid internship can cost an individual £926 a month in London or £804 in Manchester, and as a result internships can be unfair as only the wealthy can afford to take them.
A new scheme launched by David Hicks, CEO of the Book Trade Charity (BTBS) at the Publishing Scotland Conference last month will cover those in “low paid” internships who need extra support to afford these opportunities offered within the Book Trade, with travel, accommodation and living costs. The grant will be paid for a maximum of six months, and there are certain entry requirements which need to be met.
David Hicks said: “This particular programme recognises that it is difficult for young people to get a foot on the ladder in today’s rapidly-changing industry and we will be delighted if our assistance can help overcome some basis obstacles.”
If you are applying for internships within the UK Book Trade, and are under 30 then this scheme is for you. Click here to find and more and register.
Starting tomorrow and running into Saturday (13 and 14 March), Waterstones and HarperCollins are partnering for the Killer Crime Festival, billed as the first virtual crime festival, taking place both online and irl, i.e. in Waterstones branches across the county. The festival sees authors, scriptwriters, criminal psychologists, ex-cops and ex-prisoners in conversation in sessions on Facebook, Twitter, Google Plus and, in a startling innovation that’ll surely amount to nothing, face to face with their audiences.
The shortlist has been announced for this year’s Wellcome Book Prize, honouring work – across all genres, including both fiction and non-fiction – that focuses on medicine, health or illness. The prize – presented by London medical museum the Wellcome Collection – was open to any work published in English (including in translation) by a UK publisher throughout 2014, with publishers able to submit for consideration three titles apiece.
Penguin Random House has announced that it will publish a memoir by musician Chrissie Hynde on 8 September.
Macmillan Children’s Books has acquired worldwide publishing rights to launch a brand co-created by author/illustrator Tom Percival and digital media company, Made in Me. The brand is called The Little Legend, and consists of four books set in the fictional world of Tale Town, home of Little Red, Jack (of the beanstalk fame), Princess Rapunzel, and Anansi (the spider of west African legend).
The books will be published in paperback and e-book formats by Macmillan Children’s Books and as an illustrated digital book on Made in Me’s Me Books platform.
The Spell Thief and the second book, The Great Troll Rescue, will be published in both formats in February 2016, further books will follow.
Today in oh holy hell I shall soon be dead: 2015 marks 15 years – 15 years – since Bill Bryson last published a book of travel writing, that particular book being 2000’s jaunt around Australia, Down Under. In the time since, he has published two volumes of Bryson’s Dictionary (one of Troublesome Words, the other for Writers and Editors), two Short Histories of Nearly Everything, a memoir, a biography of Shakespeare, and three books of history about, variously, icons of England, domestic life and America in the summer of 1927, with his only travel writing a short diary of a trip to Kenya published in aid of CARE International.
This year’s longlist for the Walter Scott Prize for Historical Fiction has been revealed, the first time in the prize’s history that the longlist has been made public (though, admittedly, that history only stretches back five years, with the first prize awarded in 2010). The field of nominated titles has also been increased, from the usual twelve to fifteen.
The Quarto Group is the leading global illustrated book publisher and distribution group and is listed on the London Stock Exchange. Quarto employs about 400 people across four distinct but complementary businesses.
You there! What week is it? No, silly little Dickensian orphan, Christmas was two months ago, this is BookMachine week. Between Monday 23 and Friday 27 February, BookMachine is running a series of events across the world, with publishing folk gathering in Brighton, London, New York, Barcelona and Oxford to hear from a variety of industry speakers. Topics under discussion include the fate of illustrated books in the age of digital, the problems posed by shrinking retail space, the impact of self-publishing and the effect that social media is having on publishing.
In the latter instance, the medium is the message – on Friday afternoon, City University is sponsoring a BookMachine Twitter chat, ideal for those who can’t make it along to any of the real-world events or suddenly think of the perfect witty retort just as they’re leaving and want to seek retribution. The focus, as at the events, will largely be what digital means for images in publishing. The hashtag to use to take part is #BookMachine, which is where you’ll find the questions under discussion too. It kicks off at 3pm GMT/4pm CET/10am EST. The week’s discussions will then be rounded up here on the site for anyone who can’t even muster the energy to look at Twitter come Friday afternoon.