It’s already been a successful trilogy of books, a successful quartet of films and may yet be a theme park, so it is with a certain weary inevitability that word comes of Suzanne Collins’ The Hunger Games making the transition to the London stage. The production continues the grand book -> film -> stage show tradition of The Phantom of the Opera, but with notably fewer musical numbers (although there’s obviously still time to fix that) and a chandelier being dropped not by a ghoulish denizen of the Parisian underworld but by a child with the express purpose of killing another child for the entertainment of adults, probably.
Lemony Snicket’s popular series of macabre books for young people, A Series of Unfortunate Events, has already seen at least some of its titles adapted into a film (which, if not great, is at least a significant step up from most of Jim Carrey’s other raids on the canon of children’s literature). Whilst said film didn’t quite prove a big enough hit to warrant adaptations of further titles in the series, a decade later Snicket’s work has found a home perhaps better suited to its episodic nature: Netflix.
Let’s try a little experiment here: I’m going to start off a sentence, then keep adding words to it, and see how you react to those words as we go. Ready? Okay.
Everyone loves Tom Hanks, right? Fine actor, seemingly lovely guy, someone who I bet engenders warm feelings of affection in you just from reading his name. With me so far? Alright, let’s keep going.
‘Tom Hanks is writing a book of short stories.’
That might be good, right? I mean, Hanks might have had mixed success with his screenwriting work but he seems like a pretty smart, sensitive guy, and literate too, and he just had a story printed in The New Yorker, so that has to count for something.
Amazon has launched what it describes as ‘reader powered publishing’ in the form of Kindle Scout, a crowdsourcing initiative to find unpublished authors and, uh, publish them. The hypermegaomnicompany outlines the venture as ‘a place where readers help decide if a book gets published. Selected books will be published by Kindle Press and receive 5-year renewable terms, a $1,500 advance, 50% eBook royalty rate, easy rights reversions and featured Amazon marketing. ‘
A copy of Action Comics #1 – arguably the single most sought after issue in the history of the medium – recently sold at (eBay) auction for $3,207,852, the most money ever paid for a single comic book by a margin of about a million dollars. Its nearest competitor? Another, less pristine copy of Action Comics #1, sold in 2011 for $2,161,000. Only 50 or so unrestored first run copies remain extant, and at those rates, anyone who wants to read the first appearances of Sticky-Mitt Stimson, Scoop Scanlon the Five Star Reporter (perfect name for a reporter between the wars, A+) and some dude named Superman in their original form needs to have some serious capital behind them.
This is a guest post from Tahira Rahemtulla, a senior editor at Unambiguous Edit. Tahira graduated from City University London in 2012, with a Masters in International Publishing. She is now hosting a writing contest, That’s Write!, as a lead of Unambiguous Edit, in collaboration with TLAC Printing and Publishing, BookMachine, and Wildfire Studio.
Writers: you have 102 days!
What’s at the end of 102 days?
The close of the first That’s Write! contest submission!
What is That’s Write!?
That’s Write! is a fiction writing contest organized by four different collaborating groups from the publishing industry.
Credit where it’s due to Waterstones’ PR staff: following a potentially embarrassing incident last week, in which an American tourist had to tweet and post on Instagram for help (#nofilter) after being locked inside the chain’s Trafalgar Square branch for two hours when staff closed up without realising he was still there, they’ve spun what could be a clammy nightmare into a dream come true for a certain kind of book lover. Realising that being locked inside a bookshop for several hours isn’t necessarily so unappealing a prospect, the shop is this Friday hosting a ‘sleepover’ for ten guests and their plus ones.
If you haven’t already started affecting a veneer of cool disdain as a reaction to everyone else losing their minds, you may be mildly excited by the recent news that David Lynch and Mark Frost’s seminal TV show Twin Peaks will be returning to TV screens in 2016 for a third season, 25 years after the end of its second.
Though, predictably, Lynch has been the focal point of most coverage of the show’s return (given his far higher profile during its hiatus than that of his co-creator), Frost also played a key role in developing Twin Peaks‘ unique tone and – as if to reinforce that this isn’t just The David Lynch Show – has revealed that he is writing a novel detailing the lives of the town’s residents over the 25 years between episodes.
This is a guest post from Evie Prysor-Jones, Digital Publishing Executive, Blackwell’s Learning platform. (host of next month’s BookMachine London)
On New Year’s Day in 1879 Benjamin Henry Blackwell opened the doors to B.H. Blackwell’s, a 12-foot square bookshop on Broad Street in Oxford. On Tuesday 8th April 2014 Blackwell’s announced to the publishing industry that it was building a digital learning platform for students and academics, and on Monday 15th September 2014, we turned it on.
This year’s Man Booker Prize has been awarded to Richard Flanagan for his novel The Narrow Road to the Deep North. The Australian author’s sixth book took the £50,000 award over work from three time nominee Ali Smith, past winner Howard Jacobson, Neel Mukherjee, and the prize’s first ever American nominees, Joshua Ferris and Karen Joy Fowler.