Ahead of this year’s National Poetry Day (happening this Thursday, 2 October), the Forward Arts Foundation has awarded its annual prizes for poetry. Regarded, in terms of its ability to make writers’ reputations, as the Booker of the poetry world, the £10,000 Forward Prize for Best Collection went to Kei Miller’s The Cartographer Tries to Map A Way to Zion, in which a mapmaker ‘is gradually compelled to recognise – even to envy – a wholly different understanding of place, as he tries to map his way to the rastaman’s eternal city of Zion.’
Early next year Faber will reissue several titles from throughout its 85 year history as part of its new Modern Classics line. Focusing on work that is at least 25 years old, be it fiction, non-fiction, drama or poetry, the paperbacks will contain supplementary material including readers’ notes, introductions and reproductions of articles of note from the Faber archives, and will be adorned in their own livery designed by Faber art director Donna Payne. The initial line-up of ten will be published in April 2015, joined by six more in June.
This is a guest post from John Pettigrew, CEO of FutureProofs.
At Futureproofs we’ve spent the past year creating a solution to a problem that most editors and proofreaders recognise. Handling book proofs on paper works very nicely, but it’s a bit slow and cumbersome, it’s often hard to read, and it’s surprisingly expensive. Many companies have moved to PDF proofing to save money, but the available tools are laughably poorly designed for this job and make the process take longer. The reason for this, of course, is that they weren’t designed for this job at all but just for basic annotation!
So, at the Frankfurt Book Fair on 8 October, we’re launching Futureproofs. This is our solution to these problems, designed by editors for editors. We hope that it will help publishing teams create quality books more cheaply and quickly. A browser-based platform, it addresses the problems I mentioned above by providing three key advantages over the current options.
In what’s turning out to be quite the week for internet-based publishing innovations, Amazon has brought its Kindle Unlimited service to British shores. The subscription service, billed as a literary equivalent to Netflix and Spotify, allows users unlimited access (as the name implies) to over 650,000 Kindle books and an extensive library of Audible audiobooks for £7.99 a month (at current exchange rates nearly £2 more, incidentally, than the $9.99 a month charged by the American service, which launched earlier this summer). Amazon is offering a free 30 day trial of the service to all those who sign up.
This week sees the launch of Advance Editions, a platform for crowdsourced editing allowing readers early access to soon-to-be-published books in the hope that they’ll spot any previously missed errors – factual, linguistic or otherwise – or be able to provide any other suggestions on how to improve. The idea is that, having already been professionally edited, books will be uploaded to the site for three months ahead of their official release, with the site’s users able to download either the first half for free or the complete book for a 60% discount on the RRP. Readers can then suggest changes through the site for the authors to make prior to final publication.
Having unveiled its 13-strong longlist in July, the Man Booker Prize today revealed the six books that survived the cut and made this year’s shortlist for one of the literary world’s most prestigious awards. They are: Joshua Ferris’ To Rise Again at a Decent Hour, Richard Flanagan’s The Narrow Road to the Deep North, Karen Joy Fowler’s We Are All Completely Beside Ourselves, Howard Jacobson’s J, Neel Mukherjee’s The Lives of Others and Ali Smith’s How to be Both. This is the first year of the prize in which the Americans Ferris and Fowler have been eligible to be nominated, being the first in which the prize has opened up its field of potential nominees to any book written in English and published in the UK.
Continuing in the grand tradition of posthumous work by 2Pac, Notorious B.I.G., Big Pun, Big L and Pimp C, the late author and poet Maya Angelou – who died in May of this year aged 86 – is set to release a hip-hop album in November. Caged Bird Songs – named for Angelou’s first volume of memoir, 1969’s I Know Why the Caged Bird Sings – sees thirteen recordings of Angelou reading her work laid over beats produced by Shawn Rivera and RoccStarr, and was undertaken with Angelou’s blessing, mixing previously existing audio with vocals recorded shortly before her death.
Little over a fortnight following Robin Williams’ death at the age of 63, author and journalist Dave Itzkoff has revealed plans to write a biography of the late comedian. Itzkoff – by day a culture reporter for the New York Times – is not quite the crass opportunist that such timing might suggest, haven written several features on Williams for the Times in the past, including a celebrated 2009 profile written in the months following Williams’ aortic valve replacement surgery, which itself followed a divorce and time spent in rehab for alcoholism.
As revealed earlier in the month, later this week HarperCollins launches Killer Reads – its new digital crime imprint – with a week of open submission. Any aspiring authors who need one final nudge to submit their manuscripts may be heartened by the news that this week also brings details of the result of an earlier call for submissions from the publisher: HarperCollins’ sci-fi and horror imprint Harper Voyager accepted unagented submissions for a fortnight in October 2012 – the first time it had done so in nearly a decade – and has now announced plans to publish 15 novels discovered as part of that initiative.
Earlier in the summer Barnes & Noble announced that its oft-troubled Nook division was to partner with Samsung to release a line of tablets carrying Nook software. Now, the first fruit of that partnership has seen release in the form of the Galaxy Tab 4 Nook, a rebranded version of one of Samsung’s entry-level tablets, the Galaxy Tab 4. Currently only available in the USA, it’s priced at $179 with a seven inch, 1280 x 800 display, and is set apart from the previous model by the $200 worth of Nook-compatible books, magazines and TV shows with which it is pre-loaded. It is the first new Nook tablet since Barnes & Noble revealed last year that it would cease exclusive production of new tablets and instead move to a partnership model.