Julieta Lionetti has more than 20 years experience in the book industry. An international trade publisher until 2007, she has embraced the digital (r)evolution from its inception. On Wednesday she’ll be speaking at BookMachine Barcelona “On How Freakin’ Techies Taught Me To Love Literature Again”. Fabrizio Luccitti interviews Julieta for BookMachine.
Posts Tagged ‘digital publishing’
Having seemingly realised that the market for this kind of thing isn’t going away any time soon, Pan Macmilan Australia’s digital imprint, Momentum, has launched another new imprint, Momentum Moonlight, dedicated to publishing romance, erotica and new adult titles (the new adult titles presumably falling on the grown-up Twilight, less-chaste epic romance end of the spectrum than the post-adolescence Hunger Games, where there’s no time for love what with all the dystopianism). Around the imprint, it also aims to build up an online community of romance readers, centred around a blog to which community members can contribute.
Arantxa Mellado is our top speaker at BookMachine Barcelona on 3rd July. Amongst other things she is CEO of the Spanish Digital Link and Director of Actualidad Editorial.
Arantxa will be talking about globalisation, and how she thinks that this is the best way to succeed in business in the digital age. We wanted to find out more, ahead of the event.
Ahead of Oxford’s next BookMachine event on Thursday 27 June, guest speaker Tim Oliver has kindly answered some questions about all things digital!
Tim is Head of the Digital Publishing Unit for Macmillan Education. Over 10 years’ experience in digital project management, extensive involvement with learning management systems and previous roles in trade, academic, NGO publishing and startups in the first dotcom era have imbued him with a passion for traditional, new and emerging publishing media.
I do love a good first. The first t-shirt day of the summer; the first beer on a night out; the first time you wear a new hoodie. Last week saw the announcement of the first digital-only literary list in the UK, Blackfriars from Little, Brown. The list promises to curate 9 to 12 titles a year from new or established authors, and is launching in June. Now there’s a first to get out of bed for.
Last week saw the launch of Bookish in the US – a new, and frankly bloody stunning book discovery/online retailer (or as I call them, a ‘social retailer’). They’ve got a brilliant pitch, a stunning site, and features the rest of us have been discussing for a while that we thought may never come to fruition. Yeah, you know what I’m talking about. The golden egg, the holy grail, of online book discovery. An algorithm that recommends you books. Not ‘readers also bought’. Not ‘you might also like’. Something that says ‘what’s a book you have read and loved lately?’ and then picks you a bunch more based on what I can only assume is metadata more detailed than a fractal zoom on a mandelbrot set.
I hope you all brought spare underwear.
Michael Bhaskar is Digital Publishing Director at Profile Books. He has worked at Pan Macmillan, a literary agency and an economics research firm and is author of a forthcoming book about publishing. He can be found on Twitter as @ajaxlogos. He’s one of our top speakers at BookMachine Unplugged, so we thought we’d find out a little bit more:
Robert Weisser has been in the publishing business since 1976. He’s witnessed huge changes in the industry, from the first DTP computers to where we are today. He’s also based in New York – so we caught up with him before the first NYC BookMachine event on 12/12/12.
Increasingly, Publishers and content creators are getting their material onto mobile devices. It makes perfect sense to be doing so, putting learning tools directly into the hands of learners, but it’s not as easy as just creating a great product. I met up with Caroline Moore, Director and Co-Founder of LearnAhead to find out more about mobile language learning and how their company is on a mission to get better language acquisition apps into the market.
Last week saw the declaration by Amazon that the dissolution of agency pricing in the US was a “big win for customer” and that they look forward to lowering prices on more ebooks in the future. It’s slightly surreal for me to read that lower ebook prices is something anyone would ‘look forward’ to, given how much effort publishers are making (not across the board, but certainly in some places) to ensure the price of ebooks stays at a level that encourages a sense of worth for the format. Testament to Amazon’s place in the market, however, the news was not received badly.
Here’s how to alienate a large portion of possible content sources in one go: compare your product to their greatest fear. Perhaps Oyster didn’t call themselves the ‘Spotify for books’ in their pitch to publishers – I wasn’t at Frankfurt – but it’s certainly how they’ve been branded in the aftermath. And it doesn’t, as far as I can see, do them any favours.