Go Set a Watchman – Harper Lee’s unexpected companion piece to her sole previous novel, To Kill a Mockingbird – has sold 1.1 million copies across print and digital in its first six days on release in the US and Canada alone. After going on sale last Tuesday (14/07/2015), the book became the fastest selling title in the history of HarperCollins, with the publisher saying on Monday morning (20/07/2015) that it had gone back to press for a further 1.3 million copies. With an initial run of 2 million, that puts the total number of copies in print at 3.3 million.
Posts Tagged ‘HarperCollins’
Starting tomorrow and running into Saturday (13 and 14 March), Waterstones and HarperCollins are partnering for the Killer Crime Festival, billed as the first virtual crime festival, taking place both online and irl, i.e. in Waterstones branches across the county. The festival sees authors, scriptwriters, criminal psychologists, ex-cops and ex-prisoners in conversation in sessions on Facebook, Twitter, Google Plus and, in a startling innovation that’ll surely amount to nothing, face to face with their audiences.
As you’ve no doubt heard about, got tired of, called 2 Kill 2 Mockingbirds along with the rest of the internet then got tired of calling 2 Kill 2 Mockingbirds, Harper Lee is set to release a second novel this summer, 55 years after the publication of To Kill a Mockingbird. On July 14 (happy Bastille Day!) HarperCollins (and William Heinemann in the UK) will publish Go Set a Watchman – an unpublished work Lee set aside 60 years ago to focus on Mockingbird, which will focus on the earlier book’s semi-autobiographical child protagonist Scout as an adult.
Last summer we reported that HarperCollins was to relaunch its Killer Reads online community as a digital-first crime and thriller list, and that its initial wave of releases would be discovered via a week of open submissions. Now, with its first publication date of February 19th little over a fortnight away, the imprint has revealed the first three titles it has bought from those submissions, along with three additional titles submitted via literary agents.
Little over a year ago we reported that Kim Gordon – co-founder of Sonic Youth, visual artist, feminist hero – was to release a memoir with HarperCollins imprint It Books and… that was all we knew at that point. No title, no release date, no idea of the period covered, nothing. That’s changed this past week, with the release date confirmed as 24 February 2015 (almost exactly 30 years after the release of Sonic Youth’s second LP, Bad Moon Rising), and further details revealed about the book’s contents, including the title – Girl in a Band – and the below cover art.
As revealed earlier in the month, later this week HarperCollins launches Killer Reads – its new digital crime imprint – with a week of open submission. Any aspiring authors who need one final nudge to submit their manuscripts may be heartened by the news that this week also brings details of the result of an earlier call for submissions from the publisher: HarperCollins’ sci-fi and horror imprint Harper Voyager accepted unagented submissions for a fortnight in October 2012 – the first time it had done so in nearly a decade – and has now announced plans to publish 15 novels discovered as part of that initiative.
HarperCollins is extending its Killer Reads web presence – a promotional tool and online community for its crime titles since 2009 – into a digital-first crime and thriller imprint, and the publisher has revealed that it will launch the list with titles discovered via open submission. For one week only between 29 August and 4 September, the label will accept all the manuscripts the crime writers of the world can throw at it regardless of whether or not they have agents. After its launch Killer Reads hopes to put out one or two digital titles a month, so the search for new authors is presumably a method of shoring up its backlog in order to sustain that model. It follows a similar move from HarperCollins’ speculative fiction imprint, Harper Voyager, in 2012.
As if a piddling thing like dying last year is any kind of obstacle to a man of his stature – new material is forthcoming from the mighty Elmore Leonard in 2015. Well, ‘new’ – Weidenfeld & Nicolson is set to publish a single volume containing 15 of Leonard’s previously unavailable short stories dating from his tenure as a copywriter at a Detroit ad agency in the 1950s, around the time he first started writing novels and before he was earning enough to support himself from that latter pursuit. HarperCollins holds the US rights to the volume.
Not long to go until our face-to-face meetings at London publishing events are replaced by virtual meet-ups. Where the familiarity of shaking someone’s hand is replaced by the opening of a Webcam.
This idea is just evolving. In June 2014, HarperCollins hosted its first ever virtual Romance Festival. If you were lucky enough to take part you’ll know that it was attended by several of the biggest authors in the world, as well as a number of industry experts.
Sam Missingham, Head of Events at HarperCollins, who organised the festival is kindly presenting it as a case study at a new London Publishing Event – BookMachine London on 22nd July. It was the first publisher-agnostic virtual event organised by a publisher ever, and we are chuffed that Sam will be joining us to present and answer questions about the London Publishing event.
We would really like to thank Inspired Selection for sponsoring this event. Inspired Selection is a specialist recruitment consultancy dedicated to serving the publishing industry, across all markets, both in traditional print and digital media. The Inspired Selection team will also be attending BookMachine London on 22nd July.
On the occasion of her 88th birthday, HarperCollins has announced that it will finally release an authorised digital edition of Harper (no relation) Lee’s Pulitzer Prize-winning novel To Kill a Mockingbird on 8 July, 54 years after the book’s initial publication. A long-time holdout against the transition to digital, Lee acknowledged the changing times in a statement through her publisher (newsworthy in and of itself, so infrequently does she make public utterances), saying: ‘I’m still old-fashioned. I love dusty old books and libraries. I am amazed and humbled that ‘Mockingbird’ has survived this long. This is ‘Mockingbird’ for a new generation.’