As revealed earlier in the month, later this week HarperCollins launches Killer Reads – its new digital crime imprint – with a week of open submission. Any aspiring authors who need one final nudge to submit their manuscripts may be heartened by the news that this week also brings details of the result of an earlier call for submissions from the publisher: HarperCollins’ sci-fi and horror imprint Harper Voyager accepted unagented submissions for a fortnight in October 2012 – the first time it had done so in nearly a decade – and has now announced plans to publish 15 novels discovered as part of that initiative.
Posts Tagged ‘HarperCollins’
HarperCollins is extending its Killer Reads web presence – a promotional tool and online community for its crime titles since 2009 – into a digital-first crime and thriller imprint, and the publisher has revealed that it will launch the list with titles discovered via open submission. For one week only between 29 August and 4 September, the label will accept all the manuscripts the crime writers of the world can throw at it regardless of whether or not they have agents. After its launch Killer Reads hopes to put out one or two digital titles a month, so the search for new authors is presumably a method of shoring up its backlog in order to sustain that model. It follows a similar move from HarperCollins’ speculative fiction imprint, Harper Voyager, in 2012.
As if a piddling thing like dying last year is any kind of obstacle to a man of his stature – new material is forthcoming from the mighty Elmore Leonard in 2015. Well, ‘new’ – Weidenfeld & Nicolson is set to publish a single volume containing 15 of Leonard’s previously unavailable short stories dating from his tenure as a copywriter at a Detroit ad agency in the 1950s, around the time he first started writing novels and before he was earning enough to support himself from that latter pursuit. HarperCollins holds the US rights to the volume.
Not long to go until our face-to-face meetings are replaced by virtual meet-ups. Where the familiarity of shaking someone’s hand is replaced by the opening of a Webcam.
This idea is just evolving. In June 2014, HarperCollins hosted its first ever virtual Romance Festival. If you were lucky enough to take part you’ll know that it was attended by several of the biggest authors in the world, as well as a number of industry experts.
Sam Missingham, Head of Events at HarperCollins, who organised the festival is kindly presenting it as a case study at BookMachine London on 22nd July. It was the first publisher-agnostic virtual event organised by a publisher ever, and we are chuffed that Sam will be joining us to present and answer questions about the event.
We would really like to thank Inspired Selection for sponsoring this event. Inspired Selection is a specialist recruitment consultancy dedicated to serving the publishing industry, across all markets, both in traditional print and digital media. The Inspired Selection team will also be attending BookMachine London on 22nd July.
On the occasion of her 88th birthday, HarperCollins has announced that it will finally release an authorised digital edition of Harper (no relation) Lee’s Pulitzer Prize-winning novel To Kill a Mockingbird on 8 July, 54 years after the book’s initial publication. A long-time holdout against the transition to digital, Lee acknowledged the changing times in a statement through her publisher (newsworthy in and of itself, so infrequently does she make public utterances), saying: ‘I’m still old-fashioned. I love dusty old books and libraries. I am amazed and humbled that ‘Mockingbird’ has survived this long. This is ‘Mockingbird’ for a new generation.’
Iconic Sonic Youth co-founder Kim Gordon is set to join her fellow alt-nation heroes Beastie Boys, Peter Hook and R. Kelly in releasing a memoir covering her time in the band. Taking the typically classy tack of not punning on the title of a Sonic Youth release – (I Got A) Catholic Book, Rain Kim, Tunic (Book for Karen), Kim Gordon and the Arthur Conan Doyle Hand Cream just some of the missed opportunities – the book will be entitled Girl in a Band, neatly reflecting her position as both the lone woman in Sonic Youth’s line-up and one of American indie-rock’s most prominent feminists.
Charlotte Ledger is a Content Developer at HarperImpulse, a new digital first imprint at HarperCollins. Here, she tells Emma Smith from BookMachine about how they collaborate on a global scale, the excitement of working in digital romance – and her love of Dawson’s Creek.
1. Can you tell us a bit about HarperImpulse and what you do there?
HarperImpulse is a brand new digital first romance imprint from the women’s fiction team at HarperCollins. My official title is Content Developer and I edit the manuscripts, manage authors and freelancers, buy new authors for the list, generate the epubs, support social media and marketing, and generally coordinate the imprint!
John Bond has spent over twenty years in UK trade publishing, encompassing roles such as Marketing Director at Penguin and Group Sales and Marketing Director at HarperCollins. In April this year, he co-founded whitefox, a service designed to ‘cut through the clutter, using the right talent for the right project in the right way.’
Seemingly confirming that the tyrannical hold of Tim Burton over Johnny Depp works on some kind of Cabinet of Dr. Caligari close-proximity hypnosis basis (Burton’s Frankenweenie, currently in cinemas, is his first film since 2003’s Big Fish not to feature Depp in some capacity), the erstwhile Edward Scissorhands has revealed he is using the time away from his sinister overlord to launch his own publishing imprint with HarperCollins US. Talks are presumably underway on just how much money it would take to 1) retrieve the ashes of Hunter S. Thompson from the atmosphere 2) reconstitute them into some corporeal form that could type, or at least dictate, and 3) lock said ash being into a five book deal.
With Amazon announcing in early September that they were looking at novel serialisation, we got to wondering what goes into getting the content to you, in a non book form. I mean, would you really have read John Major’s exploits if you hadn’t picked up a paper in your local, mid Sunday roast lull? Here, Caroline Crofts, UK Rights Manager for HarperCollins, talks seriously about serial…