Did you always know you wanted to work in publishing? No? Many young people don’t know about the industry and all the opportunities it provides. The Publishers Association have launched a new programme where people in publishing go into schools, colleges and universities to share their knowledge.
We all know that publishers are conscious of the need to attract a wider range of people to its workforce. However, to make this happen young people need to know about the wide range of jobs and opportunities on offer. This is the aim of this new initiative, to share knowledge so that it is seen as a viable career option from an early age.
To get involved, people are being asked to volunteer as publishing ambassadors with their local schools. This can be done be contacting schools, colleges or universities in their local area or previously attended by the person. Alternatively it will be possible to register on the PA’s People Database to receive updates on upcoming opportunities to give hold a session.
To make such visits as easy as possible, The PA has created a wide variety of digital resources accessible via Dropbox. The resources can be tailored and adapted to suit the user’s style and content. They include:
- PowerPoint presentations
- Tips for presenters
For more information please contact Seonaid firstname.lastname@example.org
The inaugural Jane Grigson Trust Award, designed to support new food writers is currently open for submissions, with the deadline for entries being the end of this month, 31 October 2015.
This award was created in honour of the twenty-fifth anniversary of Jane Grigson’s death, and will be made to a writer new to food writing who has already received a commission from a publishing house. In the spirit of Grigson’s writing, the award will be for a non-fiction book on food in the widest sense, from any genre – cook book, memoir, travel, history – so long as the primary subject is food.
New research by the National Literacy Trust shows that children and young people enjoy writing significantly less than reading. The report, Children’s and Young People’s Writing in 2014, sets out the findings of the National Literacy Trust’s fifth annual survey of more than 32,000 eight to and 18-year-olds. It found that while children’s enjoyment of writing has started to increase slowly over the past three years, they still enjoy writing less than reading (49.3% compared with 54.4%).
Julia Roberts is a TV presenter and author. Julia has been working for QVC since its launch in 1993 and had her first book, the memoir One Hundred Lengths of a Pool, was published by Random House in 2013. Earlier this year, Julia self-published her first novel, Life’s a Beach and Then …. This formed the first book in the Liberty Sands Trilogy and she is currently writing the second. Here Stephanie Cox interviews her about writing, marketing and self-publishing.
This is a guest post from Cath Senker, who has 25 years’ experience in publishing and has written more than 130 books for children of all ages. She specialises in history, global and social issues, world religions, human geography and environmental topics. Cath also undertakes all kinds of editorial work for publishers and academic institutions and teaches writing skills and English.
Are you a freelance writer? How much did you make from your writing last year?
A Under £11,000
B About £11,000
C Over £11,000
If you answered A or B, you’re one of the majority of authors! Professional writers in the UK typically earn just £11,000 a year (ALCS, 2015). So how can you survive as a freelance author nowadays?
Rob Sherman is a 25 year-old writer and musician from London. His favourite topics include wholegrain, gods with more than one face, and cryptozoology, as well as his own suppurating, horrific body. This is his first guest blog post on BookMachine.
My name is Rob Sherman, or elsewhere the Hogherd, and I would like to tell you the story of how I came by this second, more mythical moniker. It is the story of how I became a full-time author, an occupation of which I have dreamed since I was very small. It is a story that I could not replicate at any other time in history; as tellers of stories, we live in a time when life has never been easier, harder, or more terrifying, and when a combination of luck and a strong lifting arm can lead to one of the largest publishers in the world taking a punt on one’s ludicrous idea. As I say, my story is one that more and more young writers can tell, and are being given the opportunity to tell, by the rise of the digital environment.
One of the things that has changed, in this new socially-enabled world we live in, is the accessibility of authors.
This is not just about me. Writers such as Chuck Palahniuk (The Fight Club), Paul Coelho (The Alchemist) and Margaret Atwood (The Handmaids Tale) are all Tweeting. These are among the most popular authors in the world. There are lots more at it too. Here is a list of 100 mainly US authors for starters. (click here)
There are quite a few authors around the world who have sold a lot of books on their own when they didn’t with publishers, and rather than seeing this as their own success, they see it as their publisher’s failing. They may go on to say how they can teach publishers about how to make an author into a millionaire, if those publishers were to listen. There are probably books on this very subject out there right now, ‘How to Promote Your Novel’ and so forth, by self-proclaimed gurus of the subject.
or The Future of Storytelling Might Not Be So Fancy
Two weeks ago, a friend of mine, knowing my penchant for all things techy and mental, sent me links to two websites, both of which contain experimental digital fiction. One, a short fiction website called Dreaming Methods, uses clever coding to create an app-like experience in your browser. The second, Nawlz, is a more conventional interactive comic where the frames move and change depending on user interaction, thus giving the reader the illusion of control (it’s actually rather good).
Want to write a blog? Unsure how to get started? Joanna Farrow, has 5 key tips for bloggers…
First, you have to start. It would be perfect if someone could formulate a blog with a specific purpose, a blog that had a clear identity and always needed updating, this isn’t how starting a blog usually works. It might start off as a mess and might end up as something completely different than what it started out as. My blog started off just reviewing a couple of books. Now that is only a section of the blog.