Category: Design

Kristina Bullen

Content vs. Design: a tug of war?

Working in ELT, Content and Design should have a symbiotic relationship. The design supports the content and the content works effortlessly within the parameters of the design. So why does it sometimes feel like a battleground, with both sides vying for a prominent space on the hill?

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Publishing Services Manager

Publishing Services Manager [JOB POSTING]

Publishing Services Manager – Full-time

£32,900 to £40,000 dependant on experience

Closing date: 4th October 2019

This is an exciting opportunity to join emc design, one of the UK’s leading design agencies for the publishing industry as our Publishing Services Manager. We are passionate about what we do and have built up an unrivalled reputation for producing high-end, multi-component resources (print and digital) for international educational publishers. Industry-leading clients return to us because we have a team of exceptional people who deliver stunning design, on budget and to deadline.

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Rich Hardiman

Vector graphics: a no-nonsense guide

Rich Hardiman, founder of Comic Printing UK, tweets about everything from the best way to format a bleed to Taylor Swift’s latest album, providing useful information and much-needed laughs all in one place. This article is a distillation of a recent thread on vector graphics – we hope you enjoy it as much as we did.

The time has come to talk of vector graphics. Of resolution and .ai formats. Of bitmap art and tricks.

So your standard bit of artwork made in Photoshop or the like will be a bitmap (not the file format, words can mean two things). Whether it’s a tiff, or a psd, or a jpeg, or a PwroNG, it’s rasterised, meaning there are a certain number of pixels and each pixel has data assigned to it

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Calverts logo

Working together: the Calverts design and printing co-operative

Calverts is a graphic design and printing co-operative based in the East End of London. It was set up as a common ownership co-operative in 1977 by production staff from the design and printing arm of IRAT (formerly the Arts Lab), after an industrial dispute which ended in redundancy for all the workers. 

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Design case study: illustrating The Dragon in the Library

It takes a village – or at least a team – to produce a book, and in this article, author Louie Stowell, Nosy Crow designer Elisabetta Barbazza and freelance illustrator Davide Ortu share insights into how an illustrated book comes to life.

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Don't Hold My Head Down

Cover design case study: Don’t Hold My Head Down

It’s a privilege to do what I do. I love having an idea and seeing it become a book cover. Every now and then, a design goes beyond the page and teaches you something about yourself. Don’t Hold My Head Down by Lucy-Anne Holmes, published by Unbound, did that for me.

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BookMachine launches brand spanking new event series: BookMachine Unplugged 2019

The popular event series is back, covering key industry topics – Production, Editorial, Tech, Marcomms, Audio and Design. This year there will be 6 Unplugged events, with 6 hosts, more than 18 confirmed speakers, 1 brand new venue and an awards ceremony.

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How to get the most out of commissioned images

Rosamund Saunders is a lifelong book designer. London-based, she began her publishing career with HarperCollins and moved on to work freelance, specialising in illustrated non-fiction books. She has designed food, crafts and lifestyle books for the co-editions market and art-directed photography for cookery, health and fitness titles. Find out more at https://rosamundsaunders.co.uk.

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the colour of a book

Judging a book by its colour: How colour psychology can help you build a successful brand

Karen Haller has over 20 years of experience studying and working with colour. Karen is regularly asked to comment on colour stories in local and national magazines, newspapers, radio and TV. She is a contributing author of the leading industry book Colour Design: Theories and Applications on Colour in Interiors. She is currently writing her first book. 

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Experienced designer

Experienced designer or intern – which would you choose?

With freelancers playing an ever more important role in the publishing industry, we all have decisions to make regarding the level of experience we require – and the amount of our budgets we’re willing to spend. In this double-header, freelance designer Annette Peppis and Publishing/Editorial Assistant Percie Edgeler share their insights into how to make the best choice for each project.

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Flat Design

Flat design, the view from my sun lounger, and the power of colour: tools to revitalise publishing design

Suzanne Kavanagh is a strategic market specialist and programme curator working with BookMachine Works and the BookMachine community. She worked with Sophie O’Rourke, our Editorial Board member to curate the BookMachine Unplugged: Talking Design event.

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Design and Production Awards

Call for entries to the British Book Design and Production Awards

The British Printing Industries Federation, Oxford Brookes University, The Publishers Association, The Bookseller and BookMachine are calling for entries to the British Book Design and Production Awards 2018. These are the only industry awards to promote and celebrate the excellence and craftsmanship of the British book design and production industry.

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