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Category: Author/editor relationships

A literary agent for 14 years, Yasmin Kane set up her own publishing house, Three Hares Publishing, in 2014. A firm believer that you need to move with your times, Yasmin strives to be at the cusp of change in a continuously evolving and fast-paced industry. Her agency, Kane Literary Agency, specialises in thought-provoking YA and children’s fiction, whereas Three Hares publishes adult, YA and children’s fiction. 

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John Mitchinson

In the latest blog post Norah Myers interviews John Mitchinson. John is a writer and publisher and the co-founder of Unbound, the award-winning crowdfunding platform for books. He helped to create the award-winning BBCTV show QI and co-wrote the best-selling series of QI books. He is co-host of Unbound’s books podcast Backlisted (@BacklistedPod) and a Vice-President of the Hay Festival of Arts & Literature.

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Thanks to Francesca Zunino Harper for setting up this interview.

After being awarded the Republic of Consciousness Prize last week for Attrib. And Other Stories by Eley Williams, Kit Caless and Sanya Semakula, the team agreed to tell us a little about the life of a small press, and the challenges and advantages that come with it.

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Do we need so many literary prizes? And how do they work? Well, on Wednesday 14th March we’re talking all things literary prizes with The TLS. You can book a ticket here. To whet your whistle ahead of the event, the brilliant Michael Caines from The TLS has answered some burning questions on the literary prize subject.

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Listed by the Observer as one of “Our top 50 players in the world of books”, Clare Conville previously worked as an editor at Random House, before co-founding Conville & Walsh in 2000. Between them Clare’s clients have won or been nominated for nearly every major literary prize in the UK including the Man Booker Prize, the Bollinger Everyman Woodhouse Award, the Whitbread First Novel Award, the Commonwealth Writers’ Best First Novel Award, and the Orwell Prize, the Guardian First Book Award and the Kate Greenaway Medal. Here, she discusses handling criticism well.

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Ariella Feiner started working at PFD in 2006 before moving to United Agents and is now nurturing her own client list which includes many bestselling, critically acclaimed and award winning authors across fiction and non-fiction, including a million-copy selling author and ground-breaking non-fiction. In 2017, The Bookseller named her as a Rising Star. Here, Norah Myers interviews her about being included in that list.

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In Part 1: An industry of opportunitySophie Playle explored who self-publishes, why and how self-publishing has developed over the years, and what this means for editorial freelances. In this post, she’ll be looking at the more practical elements of working with self-publishing authors.

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Lucy-Anne Holmes is a writer and campaigner. Her last novel Just a Girl Standing In Front of a Boy won the Romantic Novelists Association ‘Rom Com of the Year 2015’ and she founded the successful No More Page 3 campaign. She is currently raising funds for her book Don’t Hold My Head Down with Unbound here.

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Comics

This is a guest post by Robin Etherington. The Etherington Brothers will be part of the Scottish Friendly Children’s Book Tour Jamboree on Wednesday 6th June, which is part of the 20th anniversary celebrations of the tour. The event will be live-streamed on the Scottish Book Trust’s YouTube channel and 2000 pupils from Scotland will be in attendance. They also completed the most successful comic fundraiser ever in the UK. 

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Small Presses

In two weeks’ time, a group of BookMachine-goers will be joining the TLS in London for an event which focuses on small, independent presses and the current trend which has seen a 79% increase in sales by sixty of the UK’s smallest publishers. Here Norah Myers interviews the event host Thea Lenarduzz. Thea is commissioning editor at the TLS and the co-host of Freedom, Books, Flowers and the Moon, the TLS’s weekly podcast. She is also a freelance writer and, slightly sporadically, the literary editor at Five Books.

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Thanks to Francesca Zunino Harper for setting up this interview.

The Republic of Consciousness Prize is a passionate tribute to small presses’ hard work, original authors’ inventiveness, and high-quality, unconventional books. The ceremony for the second year of the prize was held last Tuesday 20th March in the University of Westminster’s Fyvie Hall.

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It is a truth universally acknowledged that book editors spend their days languidly leafing through the pages of books and occasionally waving a red pen in the vague direction of a stray comma or unruly capital… Or so I’ve been told – on numerous occasions. But never by the lucky ones who get to toil day-in day-out at the coalface of editing, diligently chipping away at a manuscript, carefully polishing it until it shines and looks its best. Funnily enough, they tell a different story. Don’t get me wrong: it’s an honour and a privilege to be involved in the creation of something so precious, but it’s a job that comes with some difficulties and pitfalls. So, take a seat, get comfy and let me tell you some of them…

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membership economy

If you’re an author, or you’re working with an author, then you may beat yourself/them up for being unable to summon up a laser-like focus on the job in hand. Alternatively you may be exasperated by the way your/their creativity and the immediacy of the writing seem to evaporate as the book progresses. (I speak from experience of both perspectives here.) ‘Just focus!’ you might yell – out loud or under your breath. ‘Stop getting distracted!’

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