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The Production Channel

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ARTWORKING AND TYPESETTING   |  OPERATIONS   |  EBOOK & DIGITAL PRODUCTION |  WORKFLOW TOOLS



Heather O'Connell

Smart, scalable and responsible print production [Heather O’Connell interview]

Heather O’Connell has more than 20 years experience in the publishing industry and worked her way up from controller to senior management positions at Penguin and Harper Collins. She now runs Bluebird Consulting and also teaches Production both in-house and via the Publishing MA at UCL.

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Contract proofing

Contract proofing: why adopt the latest profiles?

Jamie Robinson has been at f1 colour for 24 years, rising through the ranks to Managing Director. Over that time his passion for colour and accuracy has shown no sign of abating, often providing crash courses for production staff at publishers who want to learn more about the ‘dark arts’ of colour and profiling images for print.

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Project editor

Production Editor, Academic [JOB POSTING]

Out of House Publishing Solutions is a fast-growing publishing services company based in Gloucestershire. We offer a comprehensive project management service for every kind of publishing project.

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The top 10 most useful ebook writing software

The age of handwriting your ebook and typing it up later is long gone. While I am a lover of beautiful stationery, an ebook writing software can be much more useful.

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Judge a book by its cover … and its typesetting

Of course the cover is important – you don’t need me to tell you that, but I think the internal pages of a book are just as important. In this blog I’m going to advise about the internal design of books. There are plenty of designers, far better than me, who can advise on good cover design.

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A beginner’s guide to white space

Most people involved in writing or publishing are aware of the phrase “white space” and realise that the visual impact of a text, whether on page or screen, can have a huge effect on how the reader perceives the content. The problem is that “white space” isn’t a particularly simple concept and a little knowledge can be a dangerous thing.

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A guide on book title punctuation

For the trained eyes, there is nothing more annoying than looking at a book which is just one letter away from perfect. It is possible that you have made a capital mistake when not checking the rules of capitalization before publishing. It can be a tricky business, but nothing you cannot master by following a set of simple rules. In this article, we are writing about right capitalization and punctuation of titles (of your own books) on the cover and on the title page, with special regard to consistency.

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creative cloud

Overprints, Knockouts and a hangover headache

  
Sometimes the print production software we use doesn’t make it easy. Take ‘overprinting’ for example. Understanding overprinting can be vital for some print runs to go as planned but it is often a mystery to designers and some production staff too.

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A whiter shade of paper

How do you print white? In some complex cases a white ink is used on top of a foil or acetate but on the vast majority of our print jobs to get white you simply don’t print any ink.

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Production Assistant

Production Controller [JOB POSTING]

Quarto Publishing are looking for an enthusiastic Production person looking to take the next step in their career to join their busy Adult books team based in their Islington office. This Production Controller role is currently a fixed term contract for 9 months, working on a wide range of 4-colour non-fiction titles.

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sophie o'rourke emc design

Want to know more about book publishing? Ask an Agony Aunt/Uncle

In August 2016 BookMachine invited a group of publishing-savvy professionals to join its editorial board. This, in short, means that it’s not just the 3 of us (Sam, Laura, Norah) who are thinking about how to publish the best ideas insights about the industry on the site – there is now a group of experienced insiders working on this.

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Tips & Tricks: Improving legibility of text on images

One of the fundamental things you can do either as a designer, or someone creating your own materials, is to understand how to get the best out of combining texts and images. When you overlay text onto a photo different areas of light and dark can reduce legibility. So we asked Amy, one of our Design Managers, to share her top 5 tips for improving legibility of text on images.

1) Position the text in an empty or less busy part of the photo (known as copy space)

2) Think about changing the text colour to make it more visible (known as reverse-out, white-out, knock-out)

3) Use a drop shadow

4) Apply an area of blur

5) Apply a ’scrim’

Scrims are lightweight, semi-opaque layers, used to protect overlaid text. The term ‘scrim’ was used in Google’s recent materials design environment. It’s derived from the textile and theatre industries, where a scrim is a translucent fabric used in stage lighting. Scrims are particularly common in the digital environment, where space for photos and text can be at a premium (such as on hand held devices), and where content needs to be delivered in the blink of an eye.This post was originally published on the emc design blog.

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