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Category: Workflow Tools

Accessible publishing

Guy van der Kolk first got hooked on publishing while attending an international school in Ivory Coast, where he used Pagemaker, Photoshop and an Apple Quicktake 100 camera to help create the yearbook. After many hours of hard work, while holding the final printed product, he knew this was an industry he wanted to be a part of.  Guy is now Senior Solutions Consultant for Typefi, he has spent the last 15 years training thousands of people to get the most out of their software.

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Circular Software

Ken Jones was Technical Production Manager for Penguin and Dorling Kindersley for several years and has since advised publishers such as Parragon, Nosy Crow, Walker Books and Quarto on how to get the best from their print workflow.

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Contract proofing

Jamie Robinson has been at f1 colour for 24 years, rising through the ranks to Managing Director. Over that time his passion for colour and accuracy has shown no sign of abating, often providing crash courses for production staff at publishers who want to learn more about the ‘dark arts’ of colour and profiling images for print.

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You’re not alone. You can learn how to effectively distribute fonts with a font server.

Font issues can crop up in any workflow. Font problems can have real hard costs for creative agencies, publishers, media companies, manufacturers and more.

We at Extensis work with thousands of creative teams across the globe, and have seen it all. Among the host of issues that fonts can cause, the most common issue is keeping fonts in sync across everyone’s desktop. Combine that with font licensing and corruption issues, and any creative workflow can come grinding to a halt because of a font.

When used properly, a font server can help any team stay on task and productive.

In a recent webcast, I covered the following font management topics:

  • How Universal Type Server meets your team’s font management needs
  • How to install and configure Universal Type Server
  • How to manage users and fonts
  • How to track your team’s font licensing
  • Best strategies for font organization

I invite you to check out a recording of this webcast.

Don’t hesitate to tweet or email me with questions!

As a writer, speaker and general software nerd, Jim Kidwell evangelizes the effective integration of fonts and digital asset management in creative workflows. Focusing on how effective management can affect all levels of an organization – from the legal, creative and branding standpoints – Jim has shared his unique perspective with audiences at SXSW, Future of Web Design, WebVisions and more.

ONIX

This is a guest post from Emma Barnes. Emma is co-founder of General Products, and indie publisher Snowbooks. General Products is the company behind FutureBook-award-winning Bibliocloud, the web-based all-in-one publishing management system.

Did you go into publishing so that you could spend your days copying and pasting ever-changing metadata from spreadsheets, emails and databases into InDesign? You did? Great. No need to read on.

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Quantum 2018

Abbie Headon is BookMachine’s Commissioning Editor and runs Abbie Headon Publishing Services. She champions fresh approaches to solving the industry’s challenges and can be found mingling at most publishing events.

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Heather O'Connell

Heather O’Connell has more than 20 years experience in the publishing industry and worked her way up from controller to senior management positions at Penguin and Harper Collins. She now runs Bluebird Consulting and also teaches Production both in-house and via the Publishing MA at UCL.

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Production Editor, Academic

Out of House Publishing Solutions is a fast-growing publishing services company based in Gloucestershire. We offer a comprehensive project management service for every kind of publishing project.

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On Wednesday night EMC Design kicked off their 25th birthday celebrations in style by partnering with BookMachine to host our event ‘Why design matters: collaborating with your design team’. Our speakers for the night were David Pearson (cover designer behind some of Penguin’s most beautifully designed covers), Dan Franklin (digital publisher at Penguin Random House UK) and Ken Jones (founder of Circular Software).

Here’s a round up of this sell-out night through tweets and pics:

Head over to our Facebook page for more photos of the event.

This week sees the launch of Advance Editions, a platform for crowdsourced editing allowing readers early access to soon-to-be-published books in the hope that they’ll spot any previously missed errors – factual, linguistic or otherwise – or be able to provide any other suggestions on how to improve. The idea is that, having already been professionally edited, books will be uploaded to the site for three months ahead of their official release, with the site’s users able to download either the first half for free or the complete book for a 60% discount on the RRP. Readers can then suggest changes through the site for the authors to make prior to final publication.

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