Tag: books

Bookmate competition to win 500,000 books

The problem today is that people have no time to read. We also spend more and more time on our phones for entertainment, news, emails, banking – many things that we used to do on a personal computer or offline. It’s easier to read on our phones because everything is in one place; often we’re catching ten minutes on the tube or reading just before we go to bed. Subscription is also becoming a new norm for content streaming, with Spotify and Netflix bringing music and films to people in new ways. Books are no exception, and Bookmate is part of the new wave of services providing ebook streaming via a fantastically designed mobile application. For no more than the price of a single paperback, users can access a library of 500,000 ebooks via a library on mobile, tablet and web that allows them to read online and offline. 

On Bookmate people come for the ebooks but stay for the social experience – you can create a profile and share your favourite books with your friends. We’re really excited to be partnering with BookMachine, and to mark our collaboration BookMachine has created an incredibly useful bookshelf of publishing-related books: https://bookmate.com/bookshelves/MJgQczFz. Together we’re running a competition to give you free access to this bookshelf and the 500,000 books on Bookmate for free. All you have to do is go over to BookMachine’s Facebook, like the latest post, and like Bookmate International’s page http://tinyurl.com/qzkfz9k to enter.

Publishing yourself

Publishing Yourself

Lisa Edwards runs her own independent publishing consultancy, Redwood Tree Publishing. She has twenty years’ experience in the publishing industry, primarily in children’s books, where she has managed brands such as Horrible Histories, The Golden Compass, The Hunger Games, Tom Gates and Stick Man. She is currently developing and leading a training course for trade commissioning editors at The Publishing Training Centre. 

As the one-year anniversary of my blog hoves into view, I’ve realised that what I’ve been doing all this time is publishing myself.

I haven’t been self-publishing, as to me that means something different – the act of distributing a single novel, short story or work of non fiction online is very different to publishing a series of micro-works via a website.

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Books

Talking About Books to a Global Audience

This is a guest post by Rob Chilver. Rob is a Social Media assistant for Waterstones, working on a number of mediums from blogging to Twitter and Instagram. He also writes about books at AdventuresWithWords.com and hosts a fortnightly books podcast. He can be found on Twitter and on Instagram: @robchilver

I wouldn’t have guessed when I began working as a Christmas temp at a small town Waterstones that I’d end up in Head Office with a view of the London skyline. Yet, from talking to customers on the shop floor to interacting with them on social media and blogs, the core concepts have remained the same. Here’s what I learnt along the way.

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Comics and publishing

An interview with Tim Pilcher ahead of BookMachine Brighton

This is a guest interview with Tim Pilcher. Tim has spent over 25 years working in comics and publishing at DC Comics’ Vertigo imprint, Comics International, Penguin, Dorling Kindersley and Ilex Press. He is the current chair of the Comic Book Alliance and is the author of over 18 books. He is the editor of Brighton: The Graphic Novel, and the forthcoming, Brighton’s Graphic War. He is currently Humanoids’ UK liaison and has lectured on comics at Trinity College, UCL, Imperial War Museum, ICA and The British Library. Follow @Tim_Pilcher or sign up to BookMachine Brighton on Monday 23rd February.

1. How do you think that comics are going to evolve in the next 3-5 years?

Well, digital comics are constantly evolving and there are more and more online portals setting up. Comixology is the daddy (and now owned by Amazon) but Sequential are a fast-growing company to watch, who provide tons of non-superhero comics online. But I think where comics are really going to evolve is not so much in delivery platforms, but more in the breadth of topics that the medium explores. In Japan non-fiction manga is well-established, but that’s an area that’s just starting to grow with titles like Darryl Cunningham’s Science Tales and Supercrash: How to Hijack the Global Economy. Reportage is another area for growth, thanks to the work of Joe Sacco (Footnotes in Gaza, The Fixer, etc.)  I think the comic book “memoir” has become an overcrowded market and I’d like to see more creators actually approaching the graphic novel as a NOVEL, that is contemporary fiction drawn in a sequential manner. The best recent example of this is Glyn Dillon’s The Nao of Brown.

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Emerging authors

One Big Book Launch opens for submissions from emerging authors

Collaborative book launch initiative is back for another year

It’s an important day today as submissions are now open to find outstanding authors for One Big Book Launch, the event that gives ten emerging authors the opportunity to launch their books to an audience of over two hundred readers and press.

After attending last year and witnessing ten talented authors from Egmont, Bloomsbury, No Exit Press, and a number of independents; BookMachine are delighted to be supporting the event in 2015, and discovering new authors writing on the theme of ‘Inspiring People and Places’.

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Marketing your book on a budget

Helen McCusker

Most authors do not have a fortune to invest in book publicity, but you’ll still want to ensure that your book launch is given the specialist attention it deserves. Book Publicist Helen McCusker, founder of the award-winning book publicity agency Booked PR, shares her top ten tips on how to achieve maximum results with a minimum budget.

 

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5 Questions for Paul Rhodes [INTERVIEW]

Paul Rhodes

Paul Rhodes is one of our top speakers at BookMachine Unplugged. He currently runs Orb Entertainment, and previously spent around 15 years across HarperCollins and Walker Books in a variety of strategic, Business Development and digital roles. We interviewed him to find out more.

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At Halloween Stand Up For Books [EVENT]

This is a guest post from Helen Joanna Youngs. She is currently working for an independent niche genre publisher.   Alongside her day job Helen is also on the Society of Young Publishers committee organising events to promote the industry, and furthermore freelancing as a fabulous marketeer.

 

At Halloween you should stand up for books. Not only has there been some terrific literature that has scared us senseless and sent shivers down our fragile mere mortal spines, but there is more tingling, menacing stuff being created and at Halloween, we should scream and be frightened out of our minds with some good writing.

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Design considerations when Publishing to a Global Market [VIEWPOINT]

A couple of months I wrote an article for the Futurebook blog in recognition of the site’s world-wide reach, and I thought it was time to share some of these thoughts with the BookMachine crowd and also re-visit some of the scenarios, which have now been published.

Working at a design agency that primarily works with educational publishers has given me an understanding of many requirements and considerations that need to be met for producing material (both print & digital) for many different markets. However, publishing for a global market is different to market specific publishing. The premise is that technology has made content (books, ebooks, websites, resources etc) accessible to a wider range of audiences across the world. This poses new challenges for publishers who need to meet the demands and requirements of a global market.

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Book Burning Back in Fashion with 50 Shades Libricide

Book Burning! Join your neighbours for some 50 Shades hating!There aren’t many people I know who have come away from reading 50 Shades of Grey feeling they have experienced a well-written, deeply thoughtful piece of literature. In fact, I’d go so far as to wager there hasn’t been a single reaction to the book that has praised its ability to deal with serious relationship issues in a considered and useful manner. Most reviews I have read of the thing from various bloggers and critics think it’s trite bullshit.

Apparently, though, it’s such incredibly popular trite bullshit that a women’s rights group in the UK have taken it upon themselves to tell us we must under no circumstances read it, as the idea that a young, naive woman can have a relationship with an older, controlling man is ‘dangerous‘. To ensure we aren’t exposed to any unseemly ideas, they will be holding 50 Shades of Grey bonfire on November 5th.

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Seven Figure Book Deal Proves Talent Beats Data

While the government is busy telling us to tighten our belts and make our own sandwiches, publishers are honey-badgering these times of austerity and whipping out fliff like sultans for the next big novels. None moreso than Little, Brown US who are rumoured to have paid a massive seven figures for  the debut novel of Australian author Hannah Kent (deputy editor of Kill Your Darlings). And they said telling stories will never pay. HA!

Single-handedly, this novel manages to debunk two myths about being a writer we’ve seen espoused lately:

1) Writers don’t and can’t make money just from having writing talent

2) You have to come with a ready-made following in order to cash in with a publisher

Oh, and I might add in 3) best manuscript awards and their associated prizes are total bollocks (though it’s arguable that the manuscript would have gotten representation without winning Writing Australia’s ‘best MS’ award).

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Erotic novel serves as good fertiliser

If you don’t know about 50 Shades of Grey yet (ie: if you don’t have Twitter) then here’s a brief summary: it’s an erotic novel about a young girl who meets some older guy into BDSM. She works in a hardware shop and one seduces the other (my guess is he seduces her, because girls don’t typically do anything but swoon in romance novels), and I guess there are a lot of double entendres on the word ‘wood’. I hope there are.

That would make it readable. Wait, no. Funny.

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On 23rd February… BookMachine is back

It’s been said, that it’s the most fun you can have in publishing with your clothes on.*

It’s been said, that if you can talk books, digital publishing, politics, haircuts, music or… anything, then this is the place to be.**

You can sign up here:

BookMachine @ Porter’s Bar (The Green Man), 383 Euston Rd, London, NW1 3AU

23rd February 2012, 6.30pm

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Help! I Need an Editor! [Nicola Morgan interview]

The relationship between an author and editor is a crucial one. If you get it right, it can help the whole publishing process. Here Becky Hearne interviews Nicola Morgan, author of around 90 books, to find out more.

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