Alchemy: Why poetry publishers need to get it together
In May this year, three wrestling matches were held in a library. Two small poetry publishers, Sidekick Books and The Emma Press, nominated their champions…
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Why choose a specialist picture library?
Luci Gosling, Head of Sales and Research at historical image specialist Mary Evans Picture Library argues the case for the smaller, specialist agency in an…
Publisher-author clashes: How to deal with the most common areas of conflict
Working with authors has to be the best part of any commissioning editor’s job. At Open University Press, I have been lucky to work closely…
Print’s not dead, so what’s next for it? [Winning blog idea March]
Each month BookMachine offers a community member, with great ideas, the chance to write on the site. March’s winner was Percie Edgeler who writes about the…
A budding author’s experience of The London Book Fair
It’s London Book Fair! A daunting prospect for rookies starting out… Bookollective co-founder Esther Harris remembers Day 1 of her first Fair as a new…
Rejection stinks: Tips for authors on handling rejections
Jonny Geller is the joint CEO of Curtis Brown. Jonny represents a wide range of bestselling and award winning writers. His clients include: William Boyd,…
What can publishers learn from the Women’s March London?
On 21st January 2017, I made the journey to London, met with my youngest sister and some friends and we marched from Grosvenor Square to…
Ditch your resolutions
January 17th is a day that divides the world into two groups: people who accomplish their New Year’s Resolutions and people who don’t. It’s National Ditch Your…
Realities of publishing which I find hard to imagine
Lisa Davis is the Book Purchasing Manager at BookTrust, the UK’s largest reading charity that gifts books to over two million children, including books specially…
Publishers Assemble: Christmas 2016 is the time to connect
Let’s face it, 2016 has been one heck of a year. We’ve had Brexit; Trump; the Zika virus; nuclear and missile tests from North Korea;…
Progress your publishing career [tips for newbies]
Louise Newton is an Audio Assistant at Little, Brown Book Group, working on fiction and non-fiction titles for imprints such as Virago and Sphere. This…
The role of the print book in an increasingly online world
Back in 2010, working at a scholarly publisher, I had a bet with our Production Director that half our revenue would be digital by the…
10 reasons why being an editor sucks
I have some time on my hands because a couple of projects have gone sideways: they’re almost finished but for one reason or another the…
Seth Godin’s three charges against publishers
“As repressed sadists are supposed to become policemen or butchers, so those with an irrational fear of life become publishers.” – Cyril Connolly Publisher-bashing is…
Editorial Director vs Publisher: The differences
Venetia Gosling is Publisher of the 6+ division at Macmillan Children’s Books, overseeing a list which combines YA, fiction, non fiction and poetry, for readers…