Emma Barnes taught herself to code after founding her own independent publisher, Snowbooks. She went on to build Bibliocloud, the next-generation publishing system. Now she’s on a mission to promote tech skills within the publishing industry and beyond.
A version of this blog post first appeared on the Digital Book World site. Bradley Metrock produced the iBooks Author Conference from 2015 through 2017, before Score Publishing acquired Digital Book World, and has authored many articles on the state of the publishing industry and recent trends.
• a trial impression of a page, used for making corrections before final printing.
• make a proof of (a printed work, engraving, etc.).
• proofread (a text).
Trigger publishing is a young independent and ambitious publisher, wholly dedicated to mental health welfare. We publish accessible self-help books in our Pullingthetrigger range, as well as remarkable stories of recovery from mental illness in our Inspirational series. Our forward program is growing rapidly, as is our profile in the global mental health community.
This is a guest post by Robin Etherington. The Etherington Brothers will be part of the Scottish Friendly Children’s Book Tour Jamboree on Wednesday 6th June, which is part of the 20th anniversary celebrations of the tour. The event will be live-streamed on the Scottish Book Trust’s YouTube channel and 2000 pupils from Scotland will be in attendance. They also completed the most successful comic fundraiser ever in the UK.
From Monday 11th June until Sunday 17th June, publishers across the UK shared their love for audiobooks during a week-long campaign titled Love Audio; an initiative of the Publishers Association. Whilst audio publishing continues to make headlines, the following publishers have been committed to audio for some time. Each publisher approached the #LoveAudio social media campaign differently but all with the same central aim – to spread awareness around this growing and engaging format.
Francesca Zunino Harper is a linguist, translator, and publishing professional. She worked in the British and international academia researching on comparative literatures, translation, and women’s and environmental humanities for several years. She now works in the Humanities and Social Sciences area of publishing. You can follow her @ZuninoFrancesca.
Kate Burke is the fiction literary agent at Northbank Talent Management, having joined in 2013, and represents a variety of bestselling and prize-winning authors. Before that, she was a fiction editor for ten years, working at Penguin, HarperCollins and Random House.
This is a guest post by Eliza Kavanagh, Campaigns Executive at the Publishers Association.
Suzanne Kavanagh is a strategic market specialist and programme curator working with BookMachine Works and the BookMachine community. She presented on this research at the 8th annual ‘Book Arsenal’ Festival in Kyiv, Ukraine, 30th May to 3rd June 2018. Thanks go to the report authors dosdoce.com and sponsors CEDRO as well as the EUNIC project and the British Council who support the Festival.