Two pairs of eyes: why do we edit and when do we stop?
What we need to share with people outside publishing Why do we edit? Twice recently I have been surprised by the disgruntled reaction of my…
Writing
Organisations to support in Black History Month UK 2021 (and beyond) if you work in books and publishing
We all know that Black History in Britain mustn’t be confined to just one month – however, for some, Black History Month is an apt…
Five things you didn’t know about ghostwriting in 2021
Gotham Ghostwriters are a US-based ghostwriting agency with a pool of some of the best and most specialized editorial pros in the country. Founded by…
Hope, home, escapism and reflection: publishing trends of the pandemic
Despite the surreal drudgery/pressure cooker/Zoom resilience involved in working from home for almost a year, the publishing world has motored on, with many of the…
Best of both worlds: Creating a combination career as a publicist and writer
The first steps in a career as a publicist I like control – in all areas of my life – but especially when it comes…
The four levels of editing and how they fit within the publishing timeline
Most editors will give varying answers to the question, ‘What are the levels of editing?’, but there are industry-accepted stages of editing that I’ll outline…
Small independent presses: interview with John Mitchinson
In the latest blog post Norah Myers interviews John Mitchinson. John is a writer and publisher and the co-founder of Unbound, the award-winning crowdfunding platform for…
Small independent presses: interview with Thea Lenarduzzi
In two weeks’ time, a group of BookMachine-goers will be joining the TLS in London for an event which focuses on small, independent presses and…
Nuggets of Word wisdom
Guy van der Kolk first got hooked on publishing while attending an international school in Ivory Coast, where he used Pagemaker, Photoshop and an Apple…
Small press case study: Influx Press – an interview with Sanya Semakula and Kit Caless
Thanks to Francesca Zunino Harper for setting up this interview. After being awarded the Republic of Consciousness Prize last week for Attrib. And Other Stories by Eley…
Crowdfunded publishing (and how we used it to find our place in the UK industry)
Lauren Nickodemus is co-founder of the indie publishing company Monstrous Regiment, and works in book marketing. Originally from Michigan, she is now based in Edinburgh.…
Burning questions on literary prizes [INTERVIEW]
Do we need so many literary prizes? And how do they work? Well, on Wednesday 14th March we’re talking all things literary prizes with The…
Fifty Shades of Commercial Success
Kate Ellis is a freelance editor and runs Ellis Editorial, specialising in commercial crime, thriller and women’s fiction. She is also an editorial mentor for…
3 simple techniques to help busy people ace their 2018 writing resolutions
Some people equate high levels of productivity with high levels of graft. When it comes to writing, they think burning the midnight oil, doubling down…
Stop the race to the bottom, value your writing services
I need an editor … you’ll be rewarded I need an editor … you’ll get great exposure I need an editor … fast I need…
