12 months starting from January 2015 through to the end of the year.
Legend Press and Paperbooks Publishing are the fiction and non-fiction companies respectively of the Legend Times Group, based in Central London. The successful candidate will be working within a small, innovative and dynamic team on two award-winning and growing publishing lists.
This is a guest post from Donna Hutchinson. Donna is a recent graduate of Oxford Brookes’ MA Digital Publishing course. Since finishing the course, she has been working freelance for a number of projects including taking the lead on the social media marketing for the OPG’s publishing training courses.
Oxfordshire Publishing Group dinners are the place to be. They attract publishers from the largest publishers; OUP, T&F, Pearson; whilst including a healthy mix of CEOs of SMEs and freelancers. Plenty of food and wine gets consumed – and most importantly (for me!) they have resulted in the development of a new series of Publishing Training Courses.
Jasmine Kirkbride is BookMachine’s new blogger and this is her first blog post. Jasmin is the Editorial Intern at Tenebris Books. She is a freelance editor and published author. You can find her on Twitter @jasminkirkbride.
At the FutureBook Conference 2014, Orna Ross presented a Big Idea to publishing: the new Ethical Author code from the Alliance of Independent Authors (ALLi). A week later, it was the theme of #FutureChat, where it became apparent that some of the biggest ethical quandaries for authors concern review practices.
If you’ve been on Twitter at any point since the weekend, chances are that you’ve come across the YouGov profiler, a jolly little plaything/terrifying cross-section of all the privacies we wilfully surrender that allows users to input the name of ‘any brand, person or thing’ then presents them with a picture of a typical fan of said brand, person or thing courtesy of the titular market research firm. It’s by no means exhaustive (apparently there weren’t enough fans of Yo La Tengo to constitute an appropriate sample size, which is of course just how Yo La Tengo fans like it) but it’s certainly an enjoyable way to pass a few minutes
confirming your existing prejudices engaging in some low-level market research. With the profiler’s help, then, BookMachine proudly (?) presents a guide to the demographics you need to pitch to if you want to make it big in publishing [puts feet up on desk, taps out cigar ash].
There has been a lot of media attention on self-published fiction titles that have gone on to success. Hugh Howey, E. L. James and Bella Andre – to name a few – have all proven that self-publishing is a viable way to reach readers. At CompletelyNovel.com we saw an initial wave of customers focused on fiction (largely, I imagine, due to our name!) but it’s interesting how your customers can start using your service in ways you didn’t necessarily expect.
Having already won the Frank O’Connor International Short Story Award earlier this year, Colin Barrett can now add another notch to his trophy cabinet after being presented with the Guardian First Book Award for his debut collection of short stories, Young Skins. The book takes this year’s prize ahead of Age of Ambition by Evan Osnos, Do No Harm by Henry Marsh, The Night Guest by Fiona McFarlane and Things to Make and Break by May-Lan Tan. Barrett joins an illustrious roster of previous winners, including Zadie Smith, Chris Ware and Yiyun Li.
This year’s British Book Design and Production Awards – supported by the the British Printing Industries Federation and, as the name suggests, paying as much attention to the form as the content of nominated books – were awarded last week, with the big winners publishers Thames & Hudson, who took home three awards: Book of the Year and Exhibition Catalogues for Richard Barnett’s compendium of medical illustrations The Sick Rose [pictured above] and Primary, Secondary & Tertiary Education for OKIDO’s What’s Inside?
Judges said of The Sick Rose: ‘this beautifully crafted book held the judges’ attention and provoked our imagination like no other this year.’
It takes a lot of effort to be a die-hard Belle and Sebastian fan, what with all the myriad side projects and new endeavours undertaken by band members past and present: soundtracks to imaginary musicals followed five years later by an actual musical, tour diaries, collaborations with beings of pure gravel, excellently titled solo albums, stage shows, not to mention the assorted LPs, EPs and singles that make up the band’s core discography. Now, add a couple more items to the pile for completists: founding member Stuart David is set to release two YA novels.
We have an exciting opportunity for an experienced Business Development Executive to work in the Higher Education Sales team of a leading Educational and Academic publisher. This is home-based role covering East and South East UK.
This is an interview with Tahira Rahemtulla, a senior editor at Unambiguous Edit. Tahira is hosting a writing contest, That’s Write!, as a lead of Unambiguous Edit, in collaboration with TLAC Printing and Publishing, BookMachine, and Wildfire Studio.
1. Tell us a little bit about Unambiguous Edit. Is it a book editing company?
Unambiguous Edit is an online editing service; we used to focus just on books, but our clients were so pleased with the quality of edits and service, we had a lot of demand for other editing services. So now we offer editing for all documents.