In what’s turning out to be quite the week for internet-based publishing innovations, Amazon has brought its Kindle Unlimited service to British shores. The subscription service, billed as a literary equivalent to Netflix and Spotify, allows users unlimited access (as the name implies) to over 650,000 Kindle books and an extensive library of Audible audiobooks for £7.99 a month (at current exchange rates nearly £2 more, incidentally, than the $9.99 a month charged by the American service, which launched earlier this summer). Amazon is offering a free 30 day trial of the service to all those who sign up.
More and more, interview via web or video conferencing is becoming commonplace for publishing managers to screen applicants for positions their companies have openings for. Most of the interviews take place, using video, as some candidates may be coming from diverse locations. This is quite usual now as many publishing houses continue to expand their businesses globally, allowing them to also look at candidates from diverse locations outside of their country.
This is a guest post from Sarah Juckes, who is the Communications Manager for CompletelyNovel.com. She works with partners and authors to create exciting opportunities for writers in and around publishing. For more information on CompletelyNovel, take their tour.
Local publishers, editors, designers, eBook specialists and PR experts are invited to join writers for an informal evening of networking and pop-up talks. Posted around the room will be a series of stands representing one part of the publishing process. Local experts will get the opportunity to speak about what they know best to authors who are looking to find out more about what publishing entails.
Having unveiled its 13-strong longlist in July, the Man Booker Prize today revealed the six books that survived the cut and made this year’s shortlist for one of the literary world’s most prestigious awards. They are: Joshua Ferris’ To Rise Again at a Decent Hour, Richard Flanagan’s The Narrow Road to the Deep North, Karen Joy Fowler’s We Are All Completely Beside Ourselves, Howard Jacobson’s J, Neel Mukherjee’s The Lives of Others and Ali Smith’s How to be Both. This is the first year of the prize in which the Americans Ferris and Fowler have been eligible to be nominated, being the first in which the prize has opened up its field of potential nominees to any book written in English and published in the UK.
Little over a fortnight following Robin Williams’ death at the age of 63, author and journalist Dave Itzkoff has revealed plans to write a biography of the late comedian. Itzkoff – by day a culture reporter for the New York Times – is not quite the crass opportunist that such timing might suggest, haven written several features on Williams for the Times in the past, including a celebrated 2009 profile written in the months following Williams’ aortic valve replacement surgery, which itself followed a divorce and time spent in rehab for alcoholism.
This week sees the launch of Advance Editions, a platform for crowdsourced editing allowing readers early access to soon-to-be-published books in the hope that they’ll spot any previously missed errors – factual, linguistic or otherwise – or be able to provide any other suggestions on how to improve. The idea is that, having already been professionally edited, books will be uploaded to the site for three months ahead of their official release, with the site’s users able to download either the first half for free or the complete book for a 60% discount on the RRP. Readers can then suggest changes through the site for the authors to make prior to final publication.
In this essay, BookMachine contributor, Glasgow native and holder of two hitherto useless degrees in Scottish Literature Chris Ward attempts to explain some of the factors behind the overwhelmingly positive show of support for independence from the Scottish literary community.
Many will know I have an unashamed love for Haruki Murakami. So when I heard that his debut work, which is almost impossible to find in English, will be translated and re-released next year my heart missed a beat.
Hear the Wind Sing was first published in Japanese in 1979 and released in English eight years later, translated by Alfred Birnbaum. It is no longer in print, and copies of the novella are said to be changing hands for huge sums online.
Of course the Murakami phenomenon is in itself a pretty rare thing in the publishing world. A writer who has become an actual celebrity in their own right is neigh on a miracle these days, forgive me J.K., especially when you see bestseller lists dominated by ‘celebrities’ turned ‘writers’ week after week.
Continuing in the grand tradition of posthumous work by 2Pac, Notorious B.I.G., Big Pun, Big L and Pimp C, the late author and poet Maya Angelou – who died in May of this year aged 86 – is set to release a hip-hop album in November. Caged Bird Songs – named for Angelou’s first volume of memoir, 1969’s I Know Why the Caged Bird Sings – sees thirteen recordings of Angelou reading her work laid over beats produced by Shawn Rivera and RoccStarr, and was undertaken with Angelou’s blessing, mixing previously existing audio with vocals recorded shortly before her death.
As revealed earlier in the month, later this week HarperCollins launches Killer Reads – its new digital crime imprint – with a week of open submission. Any aspiring authors who need one final nudge to submit their manuscripts may be heartened by the news that this week also brings details of the result of an earlier call for submissions from the publisher: HarperCollins’ sci-fi and horror imprint Harper Voyager accepted unagented submissions for a fortnight in October 2012 – the first time it had done so in nearly a decade – and has now announced plans to publish 15 novels discovered as part of that initiative.