Ahead of this year’s National Poetry Day (happening this Thursday, 2 October), the Forward Arts Foundation has awarded its annual prizes for poetry. Regarded, in terms of its ability to make writers’ reputations, as the Booker of the poetry world, the £10,000 Forward Prize for Best Collection went to Kei Miller’s The Cartographer Tries to Map A Way to Zion, in which a mapmaker ‘is gradually compelled to recognise – even to envy – a wholly different understanding of place, as he tries to map his way to the rastaman’s eternal city of Zion.’
This is a guest post from John Pettigrew, CEO of FutureProofs.
At Futureproofs we’ve spent the past year creating a solution to a problem that most editors and proofreaders recognise. Handling book proofs on paper works very nicely, but it’s a bit slow and cumbersome, it’s often hard to read, and it’s surprisingly expensive. Many companies have moved to PDF proofing to save money, but the available tools are laughably poorly designed for this job and make the process take longer. The reason for this, of course, is that they weren’t designed for this job at all but just for basic annotation!
So, at the Frankfurt Book Fair on 8 October, we’re launching Futureproofs. This is our solution to these problems, designed by editors for editors. We hope that it will help publishing teams create quality books more cheaply and quickly. A browser-based platform, it addresses the problems I mentioned above by providing three key advantages over the current options.
This week sees the launch of Advance Editions, a platform for crowdsourced editing allowing readers early access to soon-to-be-published books in the hope that they’ll spot any previously missed errors – factual, linguistic or otherwise – or be able to provide any other suggestions on how to improve. The idea is that, having already been professionally edited, books will be uploaded to the site for three months ahead of their official release, with the site’s users able to download either the first half for free or the complete book for a 60% discount on the RRP. Readers can then suggest changes through the site for the authors to make prior to final publication.
In this essay, BookMachine contributor, Glasgow native and holder of two hitherto useless degrees in Scottish Literature Chris Ward attempts to explain some of the factors behind the overwhelmingly positive show of support for independence from the Scottish literary community.
Many will know I have an unashamed love for Haruki Murakami. So when I heard that his debut work, which is almost impossible to find in English, will be translated and re-released next year my heart missed a beat.
Hear the Wind Sing was first published in Japanese in 1979 and released in English eight years later, translated by Alfred Birnbaum. It is no longer in print, and copies of the novella are said to be changing hands for huge sums online.
Of course the Murakami phenomenon is in itself a pretty rare thing in the publishing world. A writer who has become an actual celebrity in their own right is neigh on a miracle these days, forgive me J.K., especially when you see bestseller lists dominated by ‘celebrities’ turned ‘writers’ week after week.