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Kobos and Kindles: New Additions and Winning Combinations

Last week saw the release of a new Kobo range, and (not to be outdone) the yearly release of the new Kindle line. Despite Bezos’ insistence that he doesn’t need his customers on the ‘upgrade treadmill’, Amazon released an upgrade to pretty much every single one of their devices, including two new Kindle Fire tablets and the predicted backlit eInk reader. So, as readers, what are we looking at for Christmas this year?

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Mark Buckland of Cargo Publishing on the Edinburgh International Book Festival [INTERVIEW]

Mark_Buckland_CargoComprising the Jazz Festival, the Art Festival, the Film Festival and of course the world famous Comedy Festival; Edinburgh International Festival has just drawn to a close. It’s a month of make or break for the brash and the brave talents of the arts scene. The book festival itself has been going since 1983 and like a fine cheese, gets bigger (admittedly, this is not necessarily true of cheese) and better with age. 2012 saw upwards of 190,000 bibliophiles trying to dodge the street performers cluttering up the city’s streets and investing in cultural hangovers. The obligatory actual hangovers may still be clouding a few brows, but Mark Buckland, head of Cargo Publishing, the Glasgow based Indy and future publisher of @50shadesglasgow – managed a few coherent sentences.

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‘Sock puppets!’

Late on Friday night, a tweet from the writer Alan Gillespie appeared on my feed that read ‘Read @jeremyduns‘ timeline for a literary Hollyoaks episode. Mental.’ It was accompanied by retweets of Ian Rankin, saying ‘I’m sitting here, numb, staring at @jeremyduns timeline this evening…. ‘, and of Duns himself, who said ‘If you want to read my tweets about RJ Ellory’s sockpuppeting, @stevemosby has kindly just collated them’ and linked to this Storify thread.

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Amazon’s Press Conference: What Can We Expect?

Amazon.co.ukSales figures. A detailed breakdown of sales of devices by country, including market share, plus a deep look into the data they hold for each customer, as well as how their recommendation system works. CEO Jeff Bezos is likely to unveil their print-to-ebook sales ratio, alongside comparative figures of how each version of Kindle has sold over a specific date range. He will announce the collaborative work he is doing with publishers and retailers to move toward an aggregated eBook sales chart similar to Neilsen’s Bookscan, and his plans to be far more transparent with the press in the future regarding profitability and strategy.

HA! Ok, enough of that.

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Design considerations when Publishing to a Global Market [VIEWPOINT]

A couple of months I wrote an article for the Futurebook blog in recognition of the site’s world-wide reach, and I thought it was time to share some of these thoughts with the BookMachine crowd and also re-visit some of the scenarios, which have now been published.

Working at a design agency that primarily works with educational publishers has given me an understanding of many requirements and considerations that need to be met for producing material (both print & digital) for many different markets. However, publishing for a global market is different to market specific publishing. The premise is that technology has made content (books, ebooks, websites, resources etc) accessible to a wider range of audiences across the world. This poses new challenges for publishers who need to meet the demands and requirements of a global market.

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Something something Fifty Shades, something something Bret Easton Ellis

In the latest in a series of slow news day-saving incidents that we might as well group together under the headline ‘Chris has had a long, tiring day and needs a big, fat, easy target’, full-time Fifty Shades of Grey cheerleader and occasional novelist Bret Easton Ellis has once again refused to let a piffling thing like flat-out rejection by its makers stand in the way of his weighing in on every aspect of the book’s forthcoming cinematic adaptation. Remember when people used to freely admit to reading Bret Easton Ellis? Weird times.

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The benefits of animation for educational publishers [VIEWPOINT]

This is a guest post from Nicola Esson of HL Studios, sponsors of BookMachine Oxford, happening this Thursday 6th September at the Ashmolean Dining Room.

Picture the technology available when you were a child… I dont know about you but, I dont consider myself to be that old (30’s ahem) and things were pretty shabby. 2D graphics with the only movement in a game being left to right, phone boxes (and calling the operator for a reverse charge call to your mum) no internet and a computer room at school where you could sit in front of a giant box and grow an electronic sunflower in double science (anyone remember that gem?!).

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The first ELT Agent [INTERVIEW]

Nick RobinsonFor anyone who has been reading my previous BookMachine posts you will notice that I’ve been writing a lot about people in the ELT industry. The last post looked at a group of ELT publishing specialists who have set up ‘ELT Teacher 2 Writer’  where teachers register to a database designed to help publishers find new authors and content. They also provide training and development opportunities for authors to help write their materials.
 
This time I interviewed Nick Robinson about being the first ELT Agent and how he set up his company ‘Nick Robinson ELT Author Representation’.

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New deals for NOOK, Kobo and Kindle, some combination thereof

You know how before you got to see The Avengers you had to sit through all the Iron Mans and Captain Americas and Scandinavian God Fall Downs, so that all the preliminary character work was done and blowing stuff up could commence immediately? Well, that’s an exceedingly generous analogy to draw to the contents of this post, which brings news of new deals for two separate e-readers before both join forces with a third. 3D glasses will not be provided, but if you’re reading this on public transportation then we can offer you something approximating a D-Box seat.

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