Last week saw the release of a new Kobo range, and (not to be outdone) the yearly release of the new Kindle line. Despite Bezos’ insistence that he doesn’t need his customers on the ‘upgrade treadmill’, Amazon released an upgrade to pretty much every single one of their devices, including two new Kindle Fire tablets and the predicted backlit eInk reader. So, as readers, what are we looking at for Christmas this year?
Late on Friday night, a tweet from the writer Alan Gillespie appeared on my feed that read ‘Read @jeremyduns‘ timeline for a literary Hollyoaks episode. Mental.’ It was accompanied by retweets of Ian Rankin, saying ‘I’m sitting here, numb, staring at @jeremyduns timeline this evening…. ‘, and of Duns himself, who said ‘If you want to read my tweets about RJ Ellory’s sockpuppeting,
@stevemosby has kindly just collated them’ and linked to this Storify thread.
Sales figures. A detailed breakdown of sales of devices by country, including market share, plus a deep look into the data they hold for each customer, as well as how their recommendation system works. CEO Jeff Bezos is likely to unveil their print-to-ebook sales ratio, alongside comparative figures of how each version of Kindle has sold over a specific date range. He will announce the collaborative work he is doing with publishers and retailers to move toward an aggregated eBook sales chart similar to Neilsen’s Bookscan, and his plans to be far more transparent with the press in the future regarding profitability and strategy.
HA! Ok, enough of that.
A couple of months I wrote an article for the Futurebook blog in recognition of the site’s world-wide reach, and I thought it was time to share some of these thoughts with the BookMachine crowd and also re-visit some of the scenarios, which have now been published.
Working at a design agency that primarily works with educational publishers has given me an understanding of many requirements and considerations that need to be met for producing material (both print & digital) for many different markets. However, publishing for a global market is different to market specific publishing. The premise is that technology has made content (books, ebooks, websites, resources etc) accessible to a wider range of audiences across the world. This poses new challenges for publishers who need to meet the demands and requirements of a global market.
In the latest in a series of slow news day-saving incidents that we might as well group together under the headline ‘Chris has had a long, tiring day and needs a big, fat, easy target’, full-time Fifty Shades of Grey cheerleader and occasional novelist Bret Easton Ellis has once again refused to let a piffling thing like flat-out rejection by its makers stand in the way of his weighing in on every aspect of the book’s forthcoming cinematic adaptation. Remember when people used to freely admit to reading Bret Easton Ellis? Weird times.
Picture the technology available when you were a child… I dont know about you but, I dont consider myself to be that old (30’s ahem) and things were pretty shabby. 2D graphics with the only movement in a game being left to right, phone boxes (and calling the operator for a reverse charge call to your mum) no internet and a computer room at school where you could sit in front of a giant box and grow an electronic sunflower in double science (anyone remember that gem?!).
You know how before you got to see The Avengers you had to sit through all the Iron Mans and Captain Americas and Scandinavian God Fall Downs, so that all the preliminary character work was done and blowing stuff up could commence immediately? Well, that’s an exceedingly generous analogy to draw to the contents of this post, which brings news of new deals for two separate e-readers before both join forces with a third. 3D glasses will not be provided, but if you’re reading this on public transportation then we can offer you something approximating a D-Box seat.