With Amazon announcing in early September that they were looking at novel serialisation, we got to wondering what goes into getting the content to you, in a non book form. I mean, would you really have read John Major’s exploits if you hadn’t picked up a paper in your local, mid Sunday roast lull? Here, Caroline Crofts, UK Rights Manager for HarperCollins, talks seriously about serial…
I try not to read the comments sections of a lot of websites because generally they are filled with postulating jerks who have glanced at the headline and perhaps the sub-header of an article and become incensed enough to burst their self-righteous gland all over the internet. A marked exception to this is the yearly Booker backlash, which I watch with that sick pleasure usually reserved for early episodes of Masterchef.
HarperCollins’ sci-fi, horror and otherwise otherworldly imprint Harper Voyager has announced that, for the first time in over a decade, it will be accepting un-agented submissions from authors, with a view to building a backlog it can then publish as monthly e-books. For the fortnight spanning 1 October to 14 October, new writers can head to http://www.harpervoyagersubmissions.com/ and, having filled out the accompanying form and checked that they have complied with the publisher’s guidelines, submit their long-brewing masterpiece about the grim dystopian future where the hair cuts you!, or whatever.
Last week saw the release of a new Kobo range, and (not to be outdone) the yearly release of the new Kindle line. Despite Bezos’ insistence that he doesn’t need his customers on the ‘upgrade treadmill’, Amazon released an upgrade to pretty much every single one of their devices, including two new Kindle Fire tablets and the predicted backlit eInk reader. So, as readers, what are we looking at for Christmas this year?
As he has in the past, Boing Boing co-editor Cory Doctorow yesterday posted his new novel – co-written with British sci-fi author Charlie Stross – online for free download under a Creative Commons License. In a post on Boing Boing Doctorow provided a link to his own site, Craphound, which is hosting HTML and PDF files of The Rapture of the Nerds, and asked that those who enjoy the novel ‘buy a personal hardcopy at your local bookseller, or from your favorite online seller, or donate a copy to a library or school’, adding ‘if you’d like to reward us for our use of Creative Commons licenses, and reward Tor Books for its decision to drop DRM on all its ebooks, we hope you’ll buy an ebook at your favorite ebook retailer.’ The link was accompanied by further links to both physical and digital retailers.
Five years ago Oxford University Press initiated a project to transform the way old texts could be accessed, read and re-purposed online. Oxford Scholarly Editions Online finally launched last week and I caught up with the Project Director Sophie Goldsworthy.
In a case we might call The Plot Against the Literati, were we at the intersection where readers familiar with the work of Philip Roth meet babbling, hyperbolic idiocy (we have never claimed to be familiar with the work of Philip Roth, ohohoho etc.), this past weekend saw the selfsame author of Portnoy’s Complaint and American Pastoral take to the pages of The New Yorker to pen an open letter/potential future memoir chapter directed at Wikipedia.
In the latest in a series of slow news day-saving incidents that we might as well group together under the headline ‘Chris has had a long, tiring day and needs a big, fat, easy target’, full-time Fifty Shades of Grey cheerleader and occasional novelist Bret Easton Ellis has once again refused to let a piffling thing like flat-out rejection by its makers stand in the way of his weighing in on every aspect of the book’s forthcoming cinematic adaptation. Remember when people used to freely admit to reading Bret Easton Ellis? Weird times.
Picture the technology available when you were a child… I dont know about you but, I dont consider myself to be that old (30’s ahem) and things were pretty shabby. 2D graphics with the only movement in a game being left to right, phone boxes (and calling the operator for a reverse charge call to your mum) no internet and a computer room at school where you could sit in front of a giant box and grow an electronic sunflower in double science (anyone remember that gem?!).