The art of the anthology: interview with Monstrous Regiment Publishing
We first interviewed Lauren Nickodemus and Ellen Desmond of Monstrous Regiment Publishing two years ago about their use of crowdfunding to support their first book,…
The value of community: my experience with the Chartered Institute of Editing and Proofreading
They say that our human and not-so-human ancestors evolved learning that they needed to be part of a community to survive. They did everything they…
Swap skills not bills: BookMachine launches new initiative in time of coronavirus
Starting from today, Mondays will be Skill Swap day on BookMachine. The idea is to help our members to discover and offer each other new opportunities in…
Why Oriel Square use the Agile manifesto and principles to lead projects and work effectively
Many organisations who are not themselves fundamentally or solely digital are interested in how ‘Agile’ might apply to them and their working practices. Many others…
The four levels of editing and how they fit within the publishing timeline
Most editors will give varying answers to the question, ‘What are the levels of editing?’, but there are industry-accepted stages of editing that I’ll outline…
BookMachine Unplugged 2020: Talking Editorial
It’s well known that editors in publishing houses spend a lot of time acquiring new books, but what’s sometimes overlooked is the work they do…
Why is good rights management important?
Buying and selling rights are at the heart of publishing. But, as Publishers’ Licensing Services’ Head of Legal and Policy Marjon Esfandiary writes,difficulties for some…
Tips for managing virtual meetings and events
How do you make meaningful communication happen in virtual meetings? How can book launches and book fairs bring people together without the real-world behaviour which…
Interview with a literary agent: Sebastian Ritscher of Mohrbooks
The annual cycle of international book fairs has been disrupted by the COVID-19 outbreak, but the business of publishing is continuing, as we all look…
