How to choose the right narrator for your audiobook
James Faktor is both Publishing Director for Lume Books, a digital-first indie press, and Founder of USound, an audiobook production service that helps authors and…
Audiobooks
How do you record an audiobook during lockdown?
As we all adapt to different ways of working in the current climate, one challenge for Penguin Random House Audio was how to keep recording…
The story of Hag: how a fiction podcast became a book
Last August, Harriet Poland of Audible described the genesis of the Hag podcast here on the BookMachine blog. In this new post, Rose Tomaszewska of…
Self-publishing audiobooks with Kobo Writing Life: Interview with Nick Coveney
Before we start talking about audiobooks, can you give us a quick intro to Kobo Writing Life? Launched in 2012, Kobo Writing Life is a…
Event Report: BookMachine Unplugged – Talking Audio
On Wednesday 25 September, a packed house of audiophiles gathered in London’s Century Club for the very first BookMachine Unplugged: Talking Audio event. BookMachine editorial…
Beyond unabridged: the captivating world of audio drama
My name is Jenni Lewis. I’ve worked as a commissioning editor in audio books for 10 years, mainly for Penguin Random House. My newest challenge…
Something old, something new: the story behind Audible’s Hag podcast
In this interview, Harriet Poland of Audible describes the genesis of the Hag podcast, which will be launching on 29th August.
Love Audio Week: Celebrating audio publishers
Eliza Kavanagh is Communications Manager at the Publishers Association and has managed the Love Audio campaign since its inception in 2017. Love Audio Week is…
Hachette UK Loves Audio: A glimpse of #LoveAudio week at Hachette UK
Hachette UK were busy celebrating #LoveAudio Week last week, with colleagues and authors across the business joining in the industry-wide initiative. Jen, Laura and Ellie…
MA audio publishing module made available for the first time at the University of Central Lancashire
We spoke with Debbie Williams, Director and Associate Professor of Publishing at the University of Central Lancashire on their new module entirely dedicated to audio…
Narrating audiobooks: an actor’s perspective
I’ve not been narrating audiobooks for that long really. I started when I left drama school in 2010, and have now read over 150 of them.
