Next month brings with it an onslaught of J.D. Salinger-related paraphernalia, with a new biography and associated documentary on the late author both due for release, for anyone who really wants to hear about it: where he was born, what his lousy childhood was like, and how his parents were occupied and all before they had him, and all that David Copperfield kind of crap, since he didn’t really feel like going into it. What’s more, the authors of that biography say even more Salingernalia is forthcoming: The Associated Press
took receipt of an early copy of Salinger
and discovered therein that authors David Shields and Shane Salerno claim that ‘between 2015 and 2020, a series of posthumous Salinger releases are planned’.
Shields – author of How Literature Saved My Life
, Reality Hunger: A Manifesto
and Dead Languages: A Novel
, who somehow resisted the urge to call this volume Salinger: A Biography
– and Salerno – screenwriter of Armageddon
(!), Alien vs. Predator: Requiem
(!!) and Oliver Stone’s wargasm-coining Savages
, and director of the tie-in documentary – say that ‘two independent and separate sources’ have ‘documented and verified’ the information. The (as-yet) unpublished work apparently encompasses a book featuring Salinger’s Catcher in the Rye
protagonist Holden Caulfield and his family, including ‘a revised version of an early, unpublished story “The Last and Best of the Peter Pans.”‘ There is also seemingly a volume entitled The Family Glass
containing more work featuring the eponymous family, a Salinger mainstay previously seen in Franny and Zooey
and several short stories.
Shields and Salerno decline to name a publisher for the works, although several would likely be champing at the bit for just such an opportunity. Little, Brown, publishers of Salinger’s previous work, wouldn’t comment, whilst his son and executor of his estate, Matt Salinger, ‘was not immediately available for comment’. It may be worth noting that Matt Salinger and his mother, Salinger’s widow Colleen O’Neill, have not participated in either Shields and Salerno’s biography or Salerno’s documentary. As such, take any and all claims with the requisite pinch of salt, but this remains an enticing prospect for fans of one of 20th century American literature’s great enigmas.