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Radio 4 highlighting work of publishers through history

BBC Radio 4, the nation’s well-meaning uncle, is this week broadcasting a five part series, Publishing Lives, whose title encompasses its dual purpose of providing capsule biographies of significant figures in the development of publishing and its seeming reassurance that the current state of flux in which the industry finds itself is merely the latest iteration of several crises already endured over the past 200 years, and that it too shall pass. In each of its five 15 minute episodes, Robert McCrum (previously literary editor of the Observer, and before that editorial director of Faber & Faber for close to two decades) and his producer Melissa Fitzgerald look at the stories behind a different publishing imprint – Murray, Macmillan, Penguin, Weidenfeld, Faber – and consider how their findings illuminate the present.

The first episode – broadcast yesterday lunchtime but available on iPlayer for the rest of the week – saw McCrum focus on the work of John Murray, who set up his publishing house in 1768 and has passed his name and trade through seven generations, which have seen the family publish work by Jane Austen, Charles Darwin, Walter Scott, Arthur Conan Doyle, John Betjeman and, perhaps most notoriously, Lord Byron, whose memoirs were burned in manuscript form by Murray the first after he deemed them too scandalous for the times.

Subsequent episodes look at Allen Lane, founder of Penguin, whose drive to make high quality books cheap and accessible to all revolutionised literary culture in 20th century Britain; Harold Macmillan, who combined his tenure as Prime Minister with worldwide expansion for his family business, the Scottish publishers Macmillan, founded in the 19th century; George Weidenfeld, the Austrian ex-pat who fled his homeland on the eve of World War II to set up shop in Britain and defied contemporary censors with his publication of Vladimir Nabokov’s Lolita; and Geoffrey Faber, founder of the great indie Faber & Faber, responsible for the publication of an enviable number of major Modernist poets and often champion of the uncommercial.

McCrum has also written a blog post to accompany the series, in which he avers that, even though ‘publishers are living through the biggest paradigm shift since William Caxton set up shop in Westminster some 500 years ago[…] Nothing that’s happening today has not already been anticipated, usually on a smaller scale, in the past. No crisis we face today has not recurred, several times over, during the 19th or 20th centuries. Moreover, not one of these publishing giants, from John Murray the second to the great George Weidenfeld, to Allen Lane of Penguin, would have been fazed by the state of play in 2013. On the contrary, I suspect they would have reveled in the opportunities available through the digital revolution.’

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Chris Ward

Chris Ward

Chris Ward writes and says things about books and music and films and what have you, even when no one is reading or listening.
He was chief hack and music editor of webzine Brazen from 2006 to 2010, and hosted Left of the Dial on Subcity Radio from 2008 to 2011.
He can be heard semi-regularly on the podcast of Scottish cultural blog Scots Whay Hae ('20th best website in Scotland!' - The List), and in 2011 founded Seen Your Video, a film and music podcast and blog based in Glasgow. He has a Masters degree in Scottish Literature from the University of Glasgow that will never have any practical application. You are on a hiding to nothing if you follow him on Twitter expecting any kind of hot publishing scoop.

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