Lisa Poisso is a fiction editor and book writing coach working with independent authors and new authors seeking representation. Lisa helps emerging authors tune their manuscripts to publishing industry standards and craft commercial fiction that resonates with readers. Find her at Lisa Poisso, follow her on Twitter at @LisaPoisso, or like her on Facebook. This guest post originally appeared on Lisa’s site.
As an emerging author, you may be frustrated to discover that you shouldn’t follow the lead of experienced authors when it comes to your editing budget and saving money on editing. The editing needs of seasoned authors are much different from those of new authors. Writers at earlier stages of their careers need strong developmental guidance; no amount of copyediting spit and polish will keep readers turning the pages of a lackluster story.
Yet content editing (also known as developmental editing) is the most expensive type of editing. I see you doing the math in your head: The most expensive kind of editing is the most important kind to get for the authors who have the least money to spend and the smallest chance of directly recouping that investment. It’s an unavoidable process. The better the editing you get in the early stages of your career, the more you’ll learn about writing and revision and the faster your story crafting and writing skills will level up.
In the meantime, you’re not without alternatives. Effective ways to save money on editing are well within your reach at every stage of your writing career, which helps you afford the editorial services that benefit you the most.
1) Tell editors your budget up front
Don’t blindly fish for rates and bids when contacting prospective editors. Tell them your budget range right up front, and then send them your manuscript
so they can assess your editing needs. Would a manuscript evaluation
be a good alternative to a content edit for your book? Is your manuscript strong enough to go straight to substantive editing
? Get a sample assessment and talk with your editor.
2) Turn in clean copy
Most editors don’t have set rates for their services; they base their quotes on how much work they’ll have to do to your copy and how long that will take. The sloppier your manuscript is, the higher your editing rate will be. So read through your final draft several times to save money on editing. Run spellcheck. Try a service like Grammarly
3) Develop your writing skill
If you shrug off the hard work of revisions and rely on an editor to tie up every dangling plot thread and dangling participle, you consign yourself to higher editing rates for the duration of your writing career. Don’t laugh off your errors and leave them for the editor to catch. Learn your business. Hone your craft.
4) Schedule your edits early
Three to six months isn’t too soon to begin finding the right editor
you’d like to work with. If you want to work with the kind of editor who applies multiple review processes to your copyedit and thoughtful deliberation to your content edit, you don’t want an editor who’ll return your manuscript in a week. And sure, you could pay rush fees, but those can run to 100 percent or more of a project’s base fee.
5) Choose the right number of editing rounds
Some editors keep costs low by charging by the editing “round”; once they’ve finished that particular draft (no matter how many “passes” they themselves make during the process), that round is considered complete. Paying by the round could save you money unless you hope to go back and forth with your editor over several revisions. In that case, find out if you’ll get a discount for subsequent rounds (this is how I handle things) or, for editors who offer multiple revision rounds in their base rate, how many rounds are included in the price of the edit.
6) Handle the cleanup yourself
Some editors send the edit to the author for review and approval, then make all the adjustments to the manuscript themselves. While this reduces the potential for error, it raises the cost of the edit. To save money, choose an editor who lets you accept and reject your own edits and do your own post-revision cleanup.
7) Try crowdsourcing your proofreading
Once all the editing is said and done, it’s time for one last check: proofreading. Your editor may provide this service; I do not, because I feel that your manuscript needs a fresh set of eyes at this point in the game. You could hire a professional proofreader, but you may be able to save money on editing by farming this out to eager family and friends who’ve volunteered to help. Keep in mind that you’ll need to carefully vet their recommendations; their knowledge of current grammar, style, and usage or storytelling conventions will not always be on target. Ask your editor about reviewing their suggestions as part of your editing followup or for a very low rate.
8) Don’t waste your resources squeezing a lemon
It has to be said: No amount of line or copy editing can fix a clunker with a lifeless story. If your editor recommends stepping back from a final-stage edit like line editing, take heed. And if you’re not sure whether what you’ve written is ready for prime time—or professional editing—investigate with a more affordable assessment like a new author review or a plot checkup
9) Look for package pricing
Remember that advice about cleaning up your copy in order to get a lower rate? Editors can afford to offer lower prices on subsequent editing services because your manuscript will be in better shape after the earlier edits. You’ll save money on editing by taking advantage of editing packages to get more services at lower rates.
10) Once you find an editor you click with, stick with them
Most editors provide special rates, discounts, or scheduling perks to established clients. I offer an established client discount and the ability to pencil in future edits on my schedule without a deposit until another author wants to book the same dates. Stick with your editor for similar insider treatment.